Comin thro' the Rye

(FROM THE NORSE TONGUE) Now the storm begins to lower,
(Haste, the loom of Hell prepare.)

Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:

1.
i'm crazy bout that chile but she gotta go.
she don't pay me no mind no mo. guess her
mama was right to put her out cuz she
couldn't do nothin wid her. but she been
mine so long. she been my heart so long
now she breakin it wid her bad habits.
always runnin like a machine out of control;

Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;

TO MRS. FRY IN NEWGATE

Sermons in stones.—As You Like It.
Out! out! damned spot.—Macbeth. I like you, Mrs. Fry! I like your name!

Now that I, tying thy glass mask tightly,
May gaze thro’ these faint smokes curling whitely,
As thou pliest thy trade in this devil’s-smithy—
Which is the poison to poison her, prithee?

He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.

Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus and observe thy strange things,
Than go where men wait me and dance at the King’s.

The wind, that beats the mountain, blows
More softly round the open wold,
And gently comes the world to those
That are cast in gentle mould.

And me this knowledge bolder made,
Or else I had not dare to flow
In these words toward you, and invade

As rising from the vegetable World
My Theme ascends, with equal Wing ascend,
My panting Muse; and hark, how loud the Woods
Invite you forth in all your gayest Trim.
Lend me your Song, ye Nightingales! oh pour
The mazy-running Soul of Melody
Into my varied Verse! while I deduce,
From the first Note the hollow Cuckoo sings,

Five years have past; five summers, with the length
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.—Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.

Chorus
Ca' the yowes to the knowes,
Ca' them where the heather grows
Ca' them where the burnie rows,
My bonie dearie.

Hark! the mavis' evening sang
Sounding Cluden's woods amang,
Then a-fauldin let us gang,
My bonie dearie.

We'll gae down by Cluden side,
Thro' the hazels spreading wide,
O'er the waves that sweetly glide
To the moon sae clearly.

I

A Tower of Brass, one would have said,
And Locks, and Bolts, and Iron Bars,
Might have preserv’d one innocent Maiden-head.
The jealous Father thought he well might spare
All further jealous Care.
And, as he walk’d, t’himself alone he smiled,
To think how Venus’ Arts he had beguil’d;
And when he slept, his Rest was deep:
But Venus laugh’d, to see and hear him sleep:
She taught the am’rous Jove
A magical Receipt in Love,
Which arm’d him stronger, and which help’d him more,
Than all his Thunder did, and his Almightyship before.

Thus far, O Friend! have we, though leaving much
Unvisited, endeavour'd to retrace
My life through its first years, and measured back
The way I travell'd when I first began
To love the woods and fields; the passion yet
Was in its birth, sustain'd, as might befal,
By nourishment that came unsought, for still,
From week to week, from month to month, we liv'd
A round of tumult: duly were our games
Prolong'd in summer till the day-light fail'd;
No chair remain'd before the doors, the bench
And threshold steps were empty; fast asleep
The Labourer, and the old Man who had sate,
A later lingerer, yet the revelry
Continued, and the loud uproar: at last,

Flow gently, sweet Afton, among thy green braes,
Flow gently, I'll sing thee a song in thy praise;
My Mary's asleep by thy murmuring stream,
Flow gently, sweet Afton, disturb not her dream.

Thou stock-dove, whose echo resounds thro' the glen,
Ye wild whistling blackbirds in yon thorny den,
Thou green-crested lapwing, thy screaming forbear,
I charge you disturb not my slumbering fair.

How lofty, sweet Afton, thy neighbouring hills,
Far mark'd with the courses of clear winding rills;
There daily I wander as noon rises high,
My flocks and my Mary's sweet cot in my eye.

And auld Robin Forbes hes gien tem a dance,
I pat on my speckets to see them aw prance;
I thout o’ the days when I was but fifteen,
And skipp’d wi’ the best upon Forbes’s green.
Of aw things that is I think thout is meast queer,
It brings that that’s by-past and sets it down here;
I see Willy as plain as I dui this bit leace,
When he tuik his cwoat lappet and deeghted his feace.

“Do you remember me? or are you proud?”
Lightly advancing thro’ her star-trimm’d crowd,
Ianthe said, and lookt into my eyes,
“A yes, a yes, to both: for Memory
Where you but once have been must ever be,
And at your voice Pride from his throne must rise.”

I hear a river thro’ the valley wander
Whose water runs, the song alone remaining.
A rainbow stands and summer passes under.

It’s autumn in the country I remember.

How warm a wind blew here about the ways!
And shadows on the hillside lay to slumber
During the long sun-sweetened summer-days.

It’s cold abroad the country I remember.

Sea-ward, white gleaming thro' the busy scud
With arching Wings, the sea-mew o'er my head
Posts on, as bent on speed, now passaging
Edges the stiffer Breeze, now, yielding, drifts,
Now floats upon the air, and sends from far
A wildly-wailing Note.

May the Babylonish curse,
Strait confound my stammering verse,
If I can a passage see
In this word-perplexity,
Or a fit expression find,
Or a language to my mind,
(Still the phrase is wide or scant)
To take leave of thee, GREAT PLANT!
Or in any terms relate
Half my love, or half my hate:
For I hate, yet love, thee so,
That, whichever thing I shew,
The plain truth will seem to be
A constrained hyperbole,

DANCINDA. " NO, fair DANCINDA, no ; you strive in vain
" To calm my care and mitigate my pain ;
" If all my sighs, my cares, can fail to move,
" Ah ! sooth me not with fruitless vows of love."

Thus STREPHON spoke. DANCINDA thus reply'd :
What must I do to gratify your pride ?
Too well you know (ungrateful as thou art)