Out of a high meadow where flowers bloom above cloud, come down; pursue me with reasons for smiling without malice.
Bring mimic pride like that of the seedling fir, surprise in the perfect leg-stems and queries unstirred by recognition or fear pooled in the deep eyes.
(from Julius Caesar, spoken by Marc Antony)
Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
As I drew nearer to the end of all desire, I brought my longing's ardor to a final height, Just as I ought. My vision, becoming pure,
Entered more and more the beam of that high light That shines on its own truth. From then, my seeing Became too large for speech, which fails at a sight
Beyond all boundaries, at memory's undoing— As when the dreamer sees and after the dream
See, Winter comes to rule the varied year, Sullen and sad, with all his rising train— Vapours, and clouds, and storms. Be these my theme, These, that exalt the soul to solemn thought And heavenly musing. Welcome, kindred glooms! Congenial horrors, hail! With frequent foot, Pleas’d have I, in my cheerful morn of life, When nurs’d by careless solitude I liv’d And sung of Nature with unceasing joy, Pleas’d have I wander’d through your rough domain; Trod the pure virgin-snows, myself as pure; Heard the winds roar, and the big torrent burst; Or seen the deep-fermenting tempest brew’d In the grim evening-sky. Thus pass’d the time, Till through the lucid chambers of the south
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
As I was going down impassive Rivers, I no longer felt myself guided by haulers: Yelping redskins had taken them as targets And had nailed them naked to colored stakes.
By a route obscure and lonely, Haunted by ill angels only, Where an Eidolon, named NIGHT, On a black throne reigns upright, I have reached these lands but newly From an ultimate dim Thule— From a wild weird clime that lieth, sublime, Out of SPACE—Out of TIME.
Bottomless vales and boundless floods, And chasms, and caves, and Titan woods, With forms that no man can discover For the tears that drip all over; Mountains toppling evermore Into seas without a shore;
Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams.
I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers,
My sister! my sweet sister! if a name Dearer and purer were, it should be thine. Mountains and seas divide us, but I claim No tears, but tenderness to answer mine: Go where I will, to me thou art the same A lov'd regret which I would not resign. There yet are two things in my destiny— A world to roam through, and a home with thee.
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
Whose lives are hidden in God? Whose? Who can now tell what was taken, or where, or how, or whether it was received: how ditched, divested, clamped, sifted, over- laid, raked over, grassed over, spread around, rotted down with leafmould, accepted as civic concrete, reinforceable base cinderblocks:
(from A Midsummer Night's Dream, spoken by Bottom)
When my cue comes, call me, and I will answer. My next is “Most fair Pyramus.” Heigh-ho! Peter Quince?
Flute the bellows-mender? Snout the tinker? Starveling? God’s my life, stol'n hence, and left me asleep?
I have had a most rare vision. I have had a dream—past the wit of man to say what dream it was.
Man is but an ass if he go about to expound this dream. Methought I was—there is no man can tell what.
Methought I was, and methought I had—but man is but a patched fool if he will offer to say what methought I had.
The eye of man hath not heard, the ear of man hath not seen, man’s hand is not able to taste, his tongue to conceive, nor his heart to report what my dream was. I will get Peter Quince to write a ballad of this dream.It shall be called “Bottom’s Dream” because it hath no bottom. And I will sing it in the latter end of a play before the duke. Peradventure, to make it the more gracious, I shall sing it at her death.
When you get in on a try you never learn it back umpteen times the tenth part of a featured world in black and in back it’s roses and fostered nail bite rhyme sling slang, a song that teaches without travail of the tale, the one you longing live and singing burn
It’s insane to remain a trope, of a rinsing out or a ringing whatever, it’s those bells that . . .
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
Nous devrions pourtant lui porter quelques fleurs; Les morts, les pauvres morts, ont de grandes douleurs, Et quand Octobre souffle, émondeur des vieux arbres, Son vent mélancolique àl'entour de leurs marbres, Certe, ils doivent trouver les vivants bien ingrats.
Les Fleurs du Mal. I Shall I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea,
You are a friend then, as I make it out, Of our man Shakespeare, who alone of us Will put an ass's head in Fairyland As he would add a shilling to more shillings, All most harmonious, — and out of his Miraculous inviolable increase Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen; And I must wonder what you think of him — All you down there where your small Avon flows By Stratford, and where you're an Alderman. Some, for a guess, would have him riding back To be a farrier there, or say a dyer; Or maybe one of your adept surveyors; Or like enough the wizard of all tanners.
Comment form: