Now that I, tying thy glass mask tightly, May gaze thro’ these faint smokes curling whitely, As thou pliest thy trade in this devil’s-smithy— Which is the poison to poison her, prithee?
He is with her, and they know that I know Where they are, what they do: they believe my tears flow While they laugh, laugh at me, at me fled to the drear Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste, Pound at thy powder,—I am not in haste! Better sit thus and observe thy strange things, Than go where men wait me and dance at the King’s.
I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout.
When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair
Let the musicians begin, Let every instrument awaken and instruct us In love’s willing river and love’s dear discipline: We wait, silent, in consent and in the penance Of patience, awaiting the serene exaltation Which is the liberation and conclusion of expiation.
Now may the chief musician say: “Lust and emulation have dwelt amoung us
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
Time was away and somewhere else, There were two glasses and two chairs And two people with the one pulse (Somebody stopped the moving stairs): Time was away and somewhere else.
And they were neither up nor down; The stream’s music did not stop Flowing through heather, limpid brown,
It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower. Have I come in. Will in suggestion. They may like hours in catching. It is always a pleasure to remember. Have a habit. Any name will very well wear better. All who live round about there. Have a manner. The hotel François Ier. Just winter so. It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double. Having noticed often that it is newly noticed which makes older often. The world has become smaller and more beautiful. The world is grown smaller and more beautiful. That is it. Yes that is it.
Once, in the city of Kalamazoo, The gods went walking, two and two, With the friendly phoenix, the stars of Orion, The speaking pony and singing lion. For in Kalamazoo in a cottage apart Lived the girl with the innocent heart.
Thenceforth the city of Kalamazoo Was the envied, intimate chum of the sun. He rose from a cave by the principal street. The lions sang, the dawn-horns blew, And the ponies danced on silver feet. He hurled his clouds of love around; Deathless colors of his old heart Draped the houses and dyed the ground.
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
I’ll tell thee now (dear Love) what thou shalt do To anger destiny, as she doth us, How I shall stay, though she esloygne me thus And how posterity shall know it too; How thine may out-endure Sybil’s glory, and obscure Her who from Pindar could allure, And her, through whose help Lucan is not lame, And her, whose book (they say) Homer did find, and name.
Study our manuscripts, those myriads Of letters, which have past twixt thee and me, Thence write our annals, and in them will be To all whom love’s subliming fire invades, Rule and example found;
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
Where, like a pillow on a bed A pregnant bank swell'd up to rest The violet's reclining head, Sat we two, one another's best. Our hands were firmly cemented With a fast balm, which thence did spring; Our eye-beams twisted, and did thread Our eyes upon one double string; So to'intergraft our hands, as yet Was all the means to make us one, And pictures in our eyes to get Was all our propagation. As 'twixt two equal armies fate Suspends uncertain victory, Our souls (which to advance their state
When he pushed his bush of black hair off his brow: When she lifted her mop from her eyes, and screwed it in a knob behind —O act of fearful temerity! When they felt their foreheads bare, naked to heaven, their eyes revealed: When they left the light of heaven brandished like a knife at their defenceless eyes
the Chinaman said don’t take the hardware and gave me a steak I couldn’t cut (except the fat) and there was an ant circling the coffee cup; I left a dime tip and broke out a stick of cancer, and outside I gave an old bum who looked about the way I felt, I gave him a quarter, and then I went up to see the old man strong as steel girders, fit for bombers and blondes,
I dreamed that I was old: in stale declension Fallen from my prime, when company Was mine, cat-nimbleness, and green invention, Before time took my leafy hours away.
My wisdom, ripe with body’s ruin, found Itself tart recompense for what was lost In false exchange: since wisdom in the ground Has no apocalypse or pentecost.
St. Agnes' Eve—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith.
His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze,
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
As the dead prey upon us, they are the dead in ourselves, awake, my sleeping ones, I cry out to you, disentangle the nets of being!
I pushed my car, it had been sitting so long unused. I thought the tires looked as though they only needed air. But suddenly the huge underbody was above me, and the rear tires were masses of rubber and thread variously clinging together
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