For Freckle-Faced Gerald

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.

And have we done with War at last? Well, we've been lucky devils both, And there's no need of pledge or oath

I
One among friends who stood above your grave
I cast a clod of earth from those heaped there
Down on the great brass-handled coffin lid.
It rattled on the oak like a door knocker
And at that sound I saw your face beneath
Wedged in an oblong shadow under ground.
Flesh creased, eyes shut, jaw jutting

1

On a wall shadowed by lights from the distance
is the screen. Icons come to it dressed in capes
and their eyes reflect the journeys their nomadic
eyes reach from level earth. Narratives are in
the room where the screen waits suspended like
the frame of a girder the worker will place upon
an axis and thus make a frame which he fills with

Darkness: the rain sluiced down; the mire was deep;
It was past twelve on a mid-winter night,
When peaceful folk in beds lay snug asleep;
There, with much work to do before the light,
We lugged our clay-sucked boots as best we might
Along the trench; sometimes a bullet sang,
And droning shells burst with a hollow bang;
We were soaked, chilled and wretched, every one;

Ruminant pillows! Gregarious soft boulders!

If one of you found a gap in a stone wall,
the rest of you—rams, ewes, bucks, wethers, lambs;
mothers and daughters, old grandfather-father,
cousins and aunts, small bleating sons—
followed onward, stupid
as sheep, wherever
your leader’s sheep-brain wandered to.

I
He did not wear his scarlet coat,
For blood and wine are red,
And blood and wine were on his hands
When they found him with the dead,
The poor dead woman whom he loved,
And murdered in her bed.

I took a contract to bury the body of blasphemous Bill MacKie,
Whenever, wherever or whatsoever the manner of death he die —
Whether he die in the light o’ day or under the peak-faced moon;
In cabin or dance-hall, camp or dive, mucklucks or patent shoon;
On velvet tundra or virgin peak, by glacier, drift or draw;
In muskeg hollow or canyon gloom, by avalanche, fang or claw;
By battle, murder or sudden wealth, by pestilence, hooch or lead —
I swore on the Book I would follow and look till I found my tombless dead.

for Joe Overstreet, David Henderson, Albert Ayler & d mysterious ‘H’ who cut up d Rembrandts i

u worry me whoever u are

In pious times, ere priest-craft did begin,
Before polygamy was made a sin;
When man, on many, multipli'd his kind,
Ere one to one was cursedly confin'd:
When Nature prompted, and no Law deni'd
Promiscuous use of concubine and bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did variously impart

After the whey-faced anonymity
Of river-gums and scribbly-gums and bush,
After the rubbing and the hit of brush,
You come to the South Country

As if the argument of trees were done,
The doubts and quarrelling, the plots and pains,
All ended by these clear and gliding planes
Like an abrupt solution.

1
I can support it no longer.
Laughing ruefully at myself
For all I claim to have suffered
I get up. Damned nightmarer!

It is New Hampshire out here,
It is nearly the dawn.
The song of the whippoorwill stops

[FOR WARREN WINSLOW, DEAD AT SEA]
Let man have dominion over the fishes of the sea and the fowls of the air and the beasts of the whole earth, and every creeping creature that moveth upon the earth. I

Neither our vices nor our virtues
further the poem. “They came up
and died
just like they do every year
on the rocks.”

The poem
feeds upon thought, feeling, impulse,
to breed itself,

O tan-faced prairie-boy,
Before you came to camp came many a welcome gift,
Praises and presents came and nourishing food, till at last among the recruits,
You came, taciturn, with nothing to give – we but look’d on each other,
When lo! more than all the gifts of the world you gave me.

Of course you have faced the dilemma: it is announced, they all smirk and rise. If they are ultra, they remove their hats and look ecstatic; then they look at you. What shall you do? Noblesse oblige; you cannot be boorish, or ungracious; and too, after all it is your country and you do love its ideals if not all of its realities. Now, then, I have thought of a way out: Arise, gracefully remove your hat, and tilt your head. Then sing as follows, powerfully and with deep unction. They’ll hardly note the little changes and their feelings and your conscience will thus be saved:

My country tis of thee,
Late land of slavery,
Of thee I sing.
Land where my father’s pride
Slept where my mother died,
From every mountain side
Let freedom ring!

My native country thee
Land of the slave set free,
Thy fame I love.
I love thy rocks and rills
And o’er thy hate which chills,

I

King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: moneychanger: commissioner for oaths: martyrologist: the friend of Charlemagne.

‘I liked that,’ said Offa, ‘sing it again.’


IV

I was invested in mother-earth, the crypt of roots and endings. Child’s-play. I abode there, bided my time: where the mole

shouldered the clogged wheel, his gold solidus; where dry-dust badgers thronged the Roman flues, the long-unlooked-for mansions of our tribe.


V

So much for the elves’ wergild, the true governance of England, the gaunt warrior-gospel armoured in engraved stone. I wormed my way heavenward for ages amid barbaric ivy, scrollwork of fern.

O lord, he said, Japanese women,
real women, they have not forgotten,
bowing and smiling
closing the wounds men have made;
but American women will kill you like they
tear a lampshade,
American women care less than a dime,
they’ve gotten derailed,

for Anselm Hollo Go out into brightened
space out there the fainter