PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
"As certain also of your own poets have said"— (Acts 17.28) Cleon the poet (from the sprinkled isles, Lily on lily, that o'erlace the sea And laugh their pride when the light wave lisps "Greece")— To Protus in his Tyranny: much health!
I In a far country, and a distant age, Ere sprites and fays had bade farewell to earth, A boy was born of humble parentage; The stars that shone upon his lonely birth Did seem to promise sovereignty and fame— Yet no tradition hath preserved his name.
II ’T is said that on the night when he was born, A beauteous shape swept slowly through the room; Its eyes broke on the infant like a morn, And his cheek brightened like a rose in bloom;
My voice, not being proud Like a strong woman’s, that cries Imperiously aloud That death disarm her, lull her— Screams for no mourning color Laid menacingly, like fire, Over my long desire. It will end, and leave no print.
(from Henry V, spoken by King Henry) Once more unto the breach, dear friends, once more; Or close the wall up with our English dead. In peace there's nothing so becomes a man As modest stillness and humility:
Take this kiss upon the brow! And, in parting from you now, Thus much let me avow — You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none,
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.
(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)
One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and revealed its vulnerable shape. The moment it’s exposed, it moves on.
During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.
Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.
They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.
What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.
It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel
Slowly the white dream wrestle(s) to life hands shaping the salt and the foreign cornfields the cold flesh kneaded by fingers is ready for the charcoal for the black wife
of heat the years of green sleeping in the volcano. the dream becomes tougher. settling into its shape like a bullfrog. suns rise and electrons touch it. walls melt into brown. moving to crisp and crackle
And the weaver said, Speak to us of Clothes. And he answered: Your clothes conceal much of your beauty, yet they hide not the unbeautiful. And though you seek in garments the freedom of privacy you may find in them a harness and a chain.
In a lightning bolt of memory, I see our statue of Buddha (a wedding gift from Uncle Gene) which always sat on top of the speaker cabinet. When a visitor asked, “So, does Buddha like jazz?” you said, “I hope so. He’s been getting it up the ass for a long time.”
In the first taxi he was alone tra-la, No extras on the clock. He tipped ninepence But the cabby, while he thanked him, looked askance As though to suggest someone had bummed a ride.
In the second taxi he was alone tra-la But the clock showed sixpence extra; he tipped according And the cabby from out his muffler said: ‘Make sure You have left nothing behind tra-la between you’.
(On some Verses he writ, and asking more for his Heart than ‘twas worth.) I Take back that Heart, you with such Caution give, Take the fond valu’d Trifle back; I hate Love-Merchants that a Trade wou’d drive
I first discovered what was killing these men. I had three sons who worked with their father in the tunnel: Cecil, aged 23, Owen, aged 21, Shirley, aged 17. They used to work in a coal mine, not steady work for the mines were not going much of the time. A power Co. foreman learned that we made home brew, he formed a habit of dropping in evenings to drink, persuading the boys and my husband —
Come, Holy Spirit, bending or not bending the grasses, appearing or not above our heads in a tongue of flame, at hay harvest or when they plough in the orchards or when snow covers crippled firs in the Sierra Nevada. I am only a man: I need visible signs. I tire easily, building the stairway of abstraction. Many a time I asked, you know it well, that the statue in church
What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
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