The farmhouses north of Driggs, silos for miles along the road saying BUTLER or SIOUX. The light saying rain coming on, the wind not up yet, animals waiting as the front hits everything on the high fiats, hailstones bouncing like rabbits under the sage. Nothing running off. Creeks clear.
The women were divided between regrets for the homes they had left and fear of the deserts and savages before them. —Francis Parkman nothing but this continent intent on its dismay—
We sail out of season into an oyster-gray wind, over a terrible hardness. Where Dickens crossed with mal de mer in twenty weeks or twenty days I cross toward him in five. Wrapped in robes— not like Caesar but like liver with bacon— I rest on the stern
On a road through the mountains with a friend many years ago I came to a curve on a slope where a clear stream flowed down flashing across dark rocks through its own echoes that could neither be caught nor forgotten it was the turning of autumn and already the mornings were cold with ragged clouds in the hollows long after sunrise but the pasture sagging like a roof the glassy water and flickering yellow leaves
Back when it took all day to come up from the curving broad ponds on the plains where the green-winged jaçanas ran on the lily pads
easing past tracks at the mouths of gorges crossing villages silted in hollows in the foothills each with its lime-washed church by the baked square of red earth and its
When he would not return to fine garments and good food, to his houses and his people, Loingseachan told him, “Your father is dead.” “I’m sorry to hear it,” he said. “Your mother is dead,” said the lad. “All pity for me has gone out of the world.” “Your sister, too, is dead.” “The mild sun rests on every ditch,” he said; “a sister loves even though not loved.” “Suibhne, your daughter is dead.” “And an only daughter is the needle of the heart.” “And Suibhne, your little boy, who used to call you “Daddy”—he is dead.” “Aye,” said Suibhne, “that’s the drop that brings a man to the ground.” He fell out of the yew tree; Loingseachan closed his arms around him and placed him in manacles.—AFTER THE MIDDLE-IRISH ROMANCE, THE MADNESS OF SUIBHNE
From the high terrace porch I watch the dawn. No light appears, though dark has mostly gone, Sunk from the cold and monstrous stone. The hills Lie naked but not light. The darkness spills Down the remoter gulleys; pooled, will stay Too low to melt, not yet alive with day. Below the windows, the lawn, matted deep Under its close-cropped tips with dewy sleep,
Some days I catch a rhythm, almost a song in my own breath. I'm alone here in Brooklyn Heights, late morning, the sky above the St. George Hotel clear, clear for New York, that is. The radio playing "Bird Flight," Parker in his California tragic voice fifty years ago, his faltering "Lover Man" just before he crashed into chaos. I would guess that outside the recording studio in Burbank the sun was high above the jacarandas, it was late March, the worst of yesterday's rain had come and gone, the sky washed blue. Bird could have seen for miles if he'd looked, but what he saw was so foreign he clenched his eyes, shook his head, and barked like a dog—just once—
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