Before our lives divide for ever, While time is with us and hands are free, (Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea) I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.
Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne? Though joy be done with and grief be vain, Time shall not sever us wholly in twain;
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace; Let your head lean Back to the shoulder with its fleece Of locks, Faustine.
Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams.
I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers,
The craving of Samuel Rouse for clearance to create was surely as hot as the iron that buffeted him. His passion for freedom so strong that it molded the smouldering fashions he laced, for how also could a slave plot or counterplot such incomparable shapes,
form or reform, for house after house, the intricate Patio pattern, the delicate Rose and Lyre, the Debutante Settee,
Nous devrions pourtant lui porter quelques fleurs; Les morts, les pauvres morts, ont de grandes douleurs, Et quand Octobre souffle, émondeur des vieux arbres, Son vent mélancolique àl'entour de leurs marbres, Certe, ils doivent trouver les vivants bien ingrats.
Les Fleurs du Mal. I Shall I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea,
Late, late yestreen I saw the new Moon, With the old Moon in her arms; And I fear, I fear, my Master dear! We shall have a deadly storm. (Ballad of Sir Patrick Spence) I Well! If the Bard was weather-wise, who made The grand old ballad of Sir Patrick Spence, This night, so tranquil now, will not go hence
Leave go my hands, let me catch breath and see; Let the dew-fall drench either side of me; Clear apple-leaves are soft upon that moon Seen sidelong like a blossom in the tree; And God, ah God, that day should be so soon.
The grass is thick and cool, it lets us lie. Kissed upon either cheek and either eye, I turn to thee as some green afternoon Turns toward sunset, and is loth to die; Ah God, ah God, that day should be so soon.
Lie closer, lean your face upon my side, Feel where the dew fell that has hardly dried, Hear how the blood beats that went nigh to swoon;
NOw Morn her rosie steps in th' Eastern Clime Advancing, sow'd the earth with Orient Pearle, When Adam wak't, so customd, for his sleep Was Aerie light from pure digestion bred, And temperat vapors bland, which th' only sound Of leaves and fuming rills, Aurora's fan, Lightly dispers'd, and the shrill Matin Song Of Birds on every bough; so much the more His wonder was to find unwak'nd Eve With Tresses discompos'd, and glowing Cheek, As through unquiet rest: he on his side Leaning half-rais'd, with looks of cordial Love Hung over her enamour'd, and beheld Beautie, which whether waking or asleep,
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose.
Cold eyelids that hide like a jewel Hard eyes that grow soft for an hour; The heavy white limbs, and the cruel Red mouth like a venomous flower; When these are gone by with their glories, What shall rest of thee then, what remain, O mystic and sombre Dolores, Our Lady of Pain?
Seven sorrows the priests give their Virgin; But thy sins, which are seventy times seven, Seven ages would fail thee to purge in, And then they would haunt thee in heaven: Fierce midnights and famishing morrows, And the loves that complete and control
Emily, A ship is floating in the harbour now, A wind is hovering o'er the mountain's brow; There is a path on the sea's azure floor, No keel has ever plough'd that path before; The halcyons brood around the foamless isles; The treacherous Ocean has forsworn its wiles; The merry mariners are bold and free: Say, my heart's sister, wilt thou sail with me? Our bark is as an albatross, whose nest Is a far Eden of the purple East; And we between her wings will sit, while Night, And Day, and Storm, and Calm, pursue their flight, Our ministers, along the boundless Sea, Treading each other's heels, unheededly.
It's really something from the past— when you and I split up without any regrets— just one thing that I don't quite understand . . .
When we were saying our farewells and our house was up for sale the empty pots and pans strewn across the courtyard— perhaps they were gazing into our eyes and others that were upside down— perhaps they were hiding their faces from us.
A faded vine over the door, perhaps it was confiding something to us —or grumbling to the faucet.
Machine stitched rivets ravel on a tree Whose name he does not know. Left in the sky, He dangles from a silken cumulus (Stork’s bundle upside down On the delivering wind) and sees unborn Incredible jungles of the lizard’s eye: Dark fern, dark river, a shale coliseum
Last night, as half asleep I dreaming lay, Half naked came she in her little shift, With tilted glass, and verses on her lips; Narcissus-eyes all shining for the fray, Filled full of frolic to her wine-red lips, Warm as a dewy rose, sudden she slips Into my bed – just in her little shift.
Said she, half naked, half asleep, half heard, With a soft sigh betwixt each lazy word, ‘Oh my old lover, do you sleep or wake!’ And instant I sat upright for her sake, And drank whatever wine she poured for me – Wine of the tavern, or vintage it might be Of Heaven’s own vine: he surely were a churl
Here is the place; right over the hill Runs the path I took; You can see the gap in the old wall still, And the stepping-stones in the shallow brook.
There is the house, with the gate red-barred, And the poplars tall; And the barn’s brown length, and the cattle-yard, And the white horns tossing above the wall.
There are the beehives ranged in the sun; And down by the brink Of the brook are her poor flowers, weed-o’errun, Pansy and daffodil, rose and pink.
I When Bishop Berkeley said "there was no matter," And proved it—'twas no matter what he said: They say his system 'tis in vain to batter, Too subtle for the airiest human head; And yet who can believe it! I would shatter Gladly all matters down to stone or lead, Or adamant, to find the World a spirit, And wear my head, denying that I wear it.
II What a sublime discovery 'twas to make the Universe universal egotism, That all's ideal—all ourselves: I'll stake the World (be it what you will) that that's no schism.
To have known him, to have loved him After loneness long; And then to be estranged in life, And neither in the wrong; And now for death to set his seal— Ease me, a little ease, my song! By wintry hills his hermit-mound The sheeted snow-drifts drape,
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