What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
Are you content, you pretty three-years’ wife? Are you content and satisfied to live On what your loving husband loves to give, And give to him your life?
Are you content with work, — to toil alone, To clean things dirty and to soil things clean; To be a kitchen-maid, be called a queen, —
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
NO more of talk where God or Angel Guest With Man, as with his Friend, familiar us'd To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse unblam'd: I now must change Those Notes to Tragic; foul distrust, and breach Disloyal on the part of Man, revolt, And disobedience: On the part of Heav'n
Mary sat musing on the lamp-flame at the table Waiting for Warren. When she heard his step, She ran on tip-toe down the darkened passage To meet him in the doorway with the news And put him on his guard. ‘Silas is back.’ She pushed him outward with her through the door And shut it after her. ‘Be kind,’ she said. She took the market things from Warren’s arms And set them on the porch, then drew him down To sit beside her on the wooden steps.
‘When was I ever anything but kind to him? But I’ll not have the fellow back,’ he said. ‘I told him so last haying, didn’t I? If he left then, I said, that ended it.
[Introduction] Lo now! four other acts upon the stage, Childhood, and Youth, the Manly, and Old-age. The first: son unto Phlegm, grand-child to water, Unstable, supple, moist, and cold’s his Nature. The second: frolic claims his pedigree; From blood and air, for hot and moist is he. The third of fire and choler is compos’d, Vindicative, and quarrelsome dispos’d. The last, of earth and heavy melancholy, Solid, hating all lightness, and all folly. Childhood was cloth’d in white, and given to show, His spring was intermixed with some snow. Upon his head a Garland Nature set: Of Daisy, Primrose, and the Violet.
On a road through the mountains with a friend many years ago I came to a curve on a slope where a clear stream flowed down flashing across dark rocks through its own echoes that could neither be caught nor forgotten it was the turning of autumn and already the mornings were cold with ragged clouds in the hollows long after sunrise but the pasture sagging like a roof the glassy water and flickering yellow leaves
Kind pity chokes my spleen; brave scorn forbids Those tears to issue which swell my eyelids; I must not laugh, nor weep sins and be wise; Can railing, then, cure these worn maladies? Is not our mistress, fair Religion, As worthy of all our souls' devotion As virtue was in the first blinded age? Are not heaven's joys as valiant to assuage Lusts, as earth's honour was to them? Alas, As we do them in means, shall they surpass Us in the end? and shall thy father's spirit Meet blind philosophers in heaven, whose merit Of strict life may be imputed faith, and hear Thee, whom he taught so easy ways and near To follow, damn'd? Oh, if thou dar'st, fear this;
I came here, being stricken, stumbling out At last from streets; the sun, decreasing, took me For days, the time being the last of autumn, The thickets not yet stark, but quivering With tiny colors, like some brush strokes in The manner of the pointillists; small yellows Dart shaped, little reds in different pattern, Clicks and notches of color on threaded bushes,
It is patent to the eye that cannot face the sun The smug philosophers lie who say the world is one; World is other and other, world is here and there, Parmenides would smother life for lack of air Precluding birth and death; his crystal never breaks— No movement and no breath, no progress nor mistakes, Nothing begins or ends, no one loves or fights, All your foes are friends and all your days are nights
Slip-pilings on the Brooklyn littoral —the poles still tarry, flimsy; the ferry terminus with its walledup doors wan doorshapes on eroded sills. Downstream, the strutwork of the Williamsburg cable tower threw its cool shadow half a mile inland
Is dead serious about this one, having rehearsed it for two weeks they bring it right into the Odd Fellows Meeting Hall. Riding the backs of the Trojan Women, In Euripides’ great wake they are swept up,
But the women of the chorus, in black stockings and kerchiefs, Stand up bravely to it, shawled arms thrash In a foam of hysterical voices shrieking, Seaweed on the wet flanks of a whale,
Soul and race are private dominions, memories and modal songs, a tenor blossoming, which would paint suffering a clear color but is not in this Victorian house without oil in zero degree
August, goldenrod blowing. We walk into the graveyard, to find my grandfather’s grave. Ten years ago I came here last, bringing marigolds from the round garden outside the kitchen. I didn’t know you then. We walk
In Legends of the Jews, Lewis Ginzberg writes that an Egyptian princess hung a tapestry woven with diamonds and pearls above King Solomon’s bed. When the king wanted to rise, he thought he saw stars and, believing it was night, slept on. Scaling ladders with buckets of white enamel, I painted the stars and the moon on my windowpanes
Night, and beneath star-blazoned summer skies Behold the Spirit of the musky South, A creole with still-burning, languid eyes, Voluptuous limbs and incense-breathing mouth: Swathed in spun gauze is she, From fibres of her own anana tree.
Whose sense in so evil consort, their stepdame Nature lays, That ravishing delight in them most sweet tunes do not raise; Or if they do delight therein, yet are so cloyed with wit, As with sententious lips to set a title vain on it: O let them hear these sacred tunes, and learn in wonder’s schools, To be (in things past bounds of wit) fools, if they be not fools.
Who have so leaden eyes, as not to see sweet beauty’s show,
Just by the wooden brig a bird flew up, Frit by the cowboy as he scrambled down To reach the misty dewberry—let us stoop And seek its nest—the brook we need not dread, 'Tis scarcely deep enough a bee to drown, So it sings harmless o'er its pebbly bed —Ay here it is, stuck close beside the bank Beneath the bunch of grass that spindles rank
Comment form: