“Crying, my little one, footsore and weary”

Beholde, o man! lyft up thyn eye and see
What mortall peyne I suffre for thi trespace.
With pietous voys I crye and sey to the:
Beholde my woundes, behold my blody face,
Beholde the rebukes that do me so manace,
Beholde my enemyes that do me so despice,
And how that I, to reforme the to grace,
Was like a lambe offred in sacryfice.

...

And geyn thi pryde behold my gret mekenesse;
Geyn thyn envie behold my charité;
Geyn thi leccherye behold my chast clennesse;
Geyn thi covetyse behold my poverté.

I dreamed that I was old: in stale declension
Fallen from my prime, when company
Was mine, cat-nimbleness, and green invention,
Before time took my leafy hours away.

My wisdom, ripe with body’s ruin, found
Itself tart recompense for what was lost
In false exchange: since wisdom in the ground
Has no apocalypse or pentecost.

Where is the promise of my years;
Once written on my brow?
Ere errors, agonies and fears
Brought with them all that speaks in tears,
Ere I had sunk beneath my peers;
Where sleeps that promise now?

Naught lingers to redeem those hours,
Still, still to memory sweet!
The flowers that bloomed in sunny bowers
Are withered all; and Evil towers
Supreme above her sister powers
Of Sorrow and Deceit.

I look along the columned years,

Out of the golden West, out of the leaden East, into the iron South, and to the silver North . . . Oh metals metals everywhere, forks and knives, belt buckles and hooks . . . When you are beaten you sing. You do not give anyone a chance . . .

You come out of the earth and fly with men. You lodge in men. You hurt them terribly. You tear them. You do not care for anyone.

Oh metals metals, why are you always hanging about? Is it not enough that you hold men’s wrists? Is it not enough that we let you in our mouths?

Why is it you will not do anything for yourself? Why is it you always wait for men to show you what to be?

And men love you. Perhaps it is because you soften so often.
You did, it is true, pour into anything men asked you to. It has always proved you to be somewhat softer than you really are.

Oh metals metals, why are you always filling my house?
You are like family, you do not care for anyone.

Happy the man, whose wish and care
A few paternal acres bound,
Content to breathe his native air,
In his own ground.

Whose herds with milk, whose fields with bread,
Whose flocks supply him with attire,
Whose trees in summer yield him shade,
In winter fire.

Blest, who can unconcernedly find
Hours, days, and years slide soft away,
In health of body, peace of mind,
Quiet by day,

the Chinaman said don’t take the hardware
and gave me a steak I couldn’t cut (except the fat)
and there was an ant circling the coffee cup;
I left a dime tip and broke out a stick of cancer,
and outside I gave an old bum who looked about
the way I felt, I gave him a quarter,
and then I went up to see the old man
strong as steel girders, fit for bombers and blondes,

(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms;
And then the whining school-boy, with his satchel

The wintry west extends his blast,
And hail and rain does blaw;
Or, the stormy north sends driving forth
The blinding sleet and snaw:
While tumbling brown, the burn comes down,
And roars frae bank to brae;
And bird and beast in covert rest,
And pass the heartless day.

The sweeping blast, the sky o’ercast,
The joyless winter-day,
Let others fear, to me more dear
Than all the pride of May:
The tempest’s howl, it soothes my soul,
My griefs it seems to join;

Alas, my Purse! how lean and low!
My silken Purse! what art thou now!
One I beheld—but stocks will fall—
When both thy ends had wherewithal.
When I within thy slender fence
My fortune placed, and confidence;
A poet’s fortune!—not immense:
Yet, mixed with keys, and coins among,

Not soon, as late as the approach of my ninetieth year,
I felt a door opening in me and I entered
the clarity of early morning.

One after another my former lives were departing,
like ships, together with their sorrow.

And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.

I tell thee, Dick, where I have been,
Where I the rarest things have seen;
Oh, things without compare!
Such sights again cannot be found
In any place on English ground,
Be it at wake, or fair.

At Charing-Cross, hard by the way,

And when my Joy was born, I held it in my arms and stood on the
house-top shouting, “Come ye, my neighbours, come and see, for Joy
this day is born unto me. Come and behold this gladsome thing that
laugheth in the sun.”

But none of my neighbours came to look upon my Joy, and great was
my astonishment.

And every day for seven moons I proclaimed my Joy from the
house-top—and yet no one heeded me. And my Joy and I were alone,
unsought and unvisited.

Then my Joy grew pale and weary because no other heart but mine
held its loveliness and no other lips kissed its lips.

Then my Joy died of isolation.

And now I only remember my dead Joy in remembering my dead Sorrow.
But memory is an autumn leaf that murmurs a while in the wind and
then is heard no more.

Because I could not stop for Death,
He kindly stopped for me;
The Carriage held but just Ourselves
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility.

’T was merry Christmas when he came,
Our little boy beneath the sod;
And brighter burned the Christmas flame,
And merrier sped the Christmas game,
Because within the house there lay
A shape as tiny as a fay—
The Christmas gift of God!
In wreaths and garlands on the walls
The holly hung its ruby balls,
The mistletoe its pearls;
And a Christmas tree’s fantastic fruits
Woke laughter like a choir of flutes
From happy boys and girls.
For the mirth, which else had swelled as shrill
As a school let loose to its errant will,

At supper time an ondine’s narrow feet
made dark tracks on the hearth.
Like the heart of a yellow fruit was the fire’s heat,
but they rubbed together quite blue with the cold.
The sandy hem of her skirt dripped on the floor.
She sat there with a silvered cedar knot
for a low stool; and I sat opposite,
my lips and eyelids hot

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

Lord, it’s not true
That my faith is cooling.
It’s just that people
Are saying that candle smoke
Has caused cancer in church mice.
And I also worry that candle light
Is too weak to reach your cloud.

Do I need a hydrogen candle?

I lay down under language
it left me and I slept

—You, the Comforter, came into the room

my blood, my mouth
all buttoned away—

Makers of houses, books, clothes-
makers, goodbye—

Titan! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,
Were not as things that gods despise;
What was thy pity's recompense?
A silent suffering, and intense;
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.

I Archipelagoes At the end of this sentence, rain will begin.
At the rain's edge, a sail.

Slowly the sail will lose sight of islands;
into a mist will go the belief in harbours
of an entire race.

The ten-years war is finished.
Helen's hair, a grey cloud.