The Vein

T

But I have been familiar with ruins too long to dislike desolation.
(Lord Byron, November 1816) 

what happens in any

sovereign body is created

on the evidence of the last

head on its last lap

those of us watching

then, during the programme

see the die seem to be cast

to draw the teeth

of our first question

affecting essential interests

they and only they had

she was dealing with

an unworthy family

gathered for death

inconvenient location

gruesome tired mannerisms

a bit thick coming from her

losing the thread of argument

in a sinuous cartwheel

drained of what life

hurried out with a pushchair

unsparing he takes us

to the cabaret

into patterns and groups

contrived for distraction

more likely

to deepen withdrawal

such a decrease

in which women

had views diametrically opposed

soon changes his tune

howling

face to face

cruel for people

recoiling in horror

plastered indeed

by any form of social

charges and interest

it may be healthy

to change the tone

of administration

in growth dynamics

use of perspective

attachment to things

entail perpetual disruption

of what space is for

built up

in absence

transactions typically occur

under conditions of heightened

variations in taste

spaces, isolated thoughts

which his concept of beauty

distorts to represent

thinking and feeling life

he considers in particular

superimposed spatial images

accelerating production

of different times

to control the future

this book has been edited

to detect the note

of such preoccupations

blue evening light

desire out of stasis

for jobs

investment itself

ruthless traders

organising forces

unable to stop the drift

of imagination over materiality

form an autobiography

in fires of competition

only to emerge stronger

within this system of production

brought into our homes

which in turn form the basis

of generating and acquiring

aesthetic pleasure

conventional these days

cluttered with illusion

based on writing

remixed

to demolish any narrative

of the world within

no image concealed

from the realm of material

accumulation and circulation

in part as would be true

enduring time

by herself he touches her

surrounded by models

able to pass unrecognised

in the stream of money

implied by a photograph

where the sun never seen

can be constructed

crashing through layer after layer

on a depthless screen

with the requisite speed

somewhere behind us

thrown into the street

patiently to see

rotting pieces of car

buttons working backwards

against nerve junctions

tilt her head

towards her ankles

in the underground light

black fur gleamed

off the oil drum

searchers found

a delicate bubble of oil

sweeping through it

pure oxygen

dawn touched

at the corners

rose in flame

lengths of thin steel

drawn across dust

shifting in thick

time on

motions playing out

across from me

not in sequence

cut into the sides

of an extension run

below his eyes

were tombstones

ringed with razor-wire

he threaded

bright slashes of colour

through open

jolts of fear

measuring, calculating

shaking so hard

a lump of shadow

watching

turned from side to side

shielding us from the sun

pale green glass

frames disintegrating tarmac

down to the tunnel

of the corner of his eye

moving on

to some other

man for the moment

horizon of empty water

locking him away

inside and he wore

two pictograms

set in strange lines

invisible in air

energetically above them

heels and silk

scatter snow

in the middle of a room

swirling out of the mist

bright with arrangements

tainted too historically

he had forgotten

quite violent fights

listening

to the continuous pounding

of some other thought

looking at the surface

far away down

in a cloud of dust

tattered lace about her

she watched him calmly

bits of it he tore off

at the end of each meeting

seemed colour-coded

sparkling violently

tingling on his skin

holes turned round slowly

in brown earth

lined with age

he smelled burning

trees in darkness

a voice came

from an imaginary telephone

on the dashboard

shrink-wrapped packages

soft underfoot

glowed in the dark

blinds slanted to make

the match flame

blast across his face

snap shut

in the jungle

after the ones still alive

start confessing

flashbulbs go off

her hand flicked back and forth

over a section of floor

he had heard more

than every single word

from the once proud

ruins of arches

in one outstretched hand

an odd sensation

included balance

working to repair the damage

of triumph on his face

folded against the edge

of exhaust fumes

closing his lids

properly needed great care

she heard a rustle

little numbers

flew around trees

tumbled across a moonlit field

trying to reassemble

his head again

she blinked

some sort of code

subtle variations

in the colour of her eyes

a reliable testing ground

gardens inside shelters

shades patterning

an idealised culture

in one landscaped clump

stuffed full of shells

a version or remnant of something

under a different name

some crisis of identity

spanned the world

thought was the only thing

to come back to acting

beyond acoustics

even when dramatic

she always wore fancy dress

simply cut and held low

objects grouped together

confidently into fine jewellery

after the storm new scents

touched by salt spray

hardly dimmed the harsh light

he sometimes pulled at his hair

obsessed with finding the beautiful

curtain allowing him entry

never able to follow

the middle of night

downwards to find a runway

with deep sides

writhing under his fingers

personalities full of energy

order a series

of the same programme

cool for film

using this knowledge

machines talk to themselves

maintain a very persistent

buzzing as the signal

ends in a dramatic freeze

close to the border

on a street with a few orange trees
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