1963
What shall I tell my children who are black
Of what it means to be a captive in this dark skin
What shall I tell my dear one, fruit of my womb,
Of how beautiful they are when everywhere they turn
They are faced with abhorrence of everything that is black.
Villains are black with black hearts.
We are both strong, dark, bright men, though perhaps you might not notice, finding two figures flat against the landscape like the shadowed backs of mountains.
Which would not be far from wrong, for though we both have on Western clothes and he is seated on a yellow spool of emptied and forgotten telephone cable
I Happy are men who yet before they are killed Can let their veins run cold. Whom no compassion fleers Or makes their feet Sore on the alleys cobbled with their brothers. The front line withers. But they are troops who fade, not flowers, For poets’ tearful fooling: Men, gaps for filling: Losses, who might have fought Longer; but no one bothers.
The town is old and very steep A place of bells and cloisters and grey towers, And black-clad people walking in their sleep— A nun, a priest, a woman taking flowers To her new grave; and watched from end to end By the great Church above, through the still hours: But in the morning and the early dark The children wake to dart from doors and call
The night is covered with signs. The body and face of man, with signs, and his journeys. Where the rock is split and speaks to the water; the flame speaks to the cloud; the red splatter, abstraction, on the door speaks to the angel and the constellations. The grains of sand on the sea-floor speak at last to the noon. And the loud hammering of the land behind
All you violated ones with gentle hearts; You violent dreamers whose cries shout heartbreak; Whose voices echo clamors of our cool capers, And whose black faces have hollowed pits for eyes. All you gambling sons and hooked children and bowery bums Hating white devils and black bourgeoisie, Thumbing your noses at your burning red suns, Gather round this coffin and mourn your dying swan.
30 dogs, 20 men on 20 horses and one fox and look here, they write, you are a dupe for the state, the church, you are in the ego-dream, read your history, study the monetary system, note that the racial war is 23,000 years old.
well, I remember 20 years ago, sitting with an old Jewish tailor, his nose in the lamplight like a cannon sighted on the enemy; and
"Pheu pheu, ti prosderkesthe m ommasin, tekna;" [[Alas, alas, why do you gaze at me with your eyes, my children.]]—Medea. Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years ? They are leaning their young heads against their mothers, — And that cannot stop their tears.
Comment form: