Hugh Selwyn Mauberley Part II

H

1920 (Mauberley)

I

Turned from the“eau-forte
Par Jaquemart”
To the strait head
Of Messalina:

“His True Penelope
Was Flaubert,”
And his tool
The engraver's.

Firmness,
Not the full smile,
His art, but an art
In profile;

Colourless
Pier Francesca,
Pisanello lacking the skill
To forge Achaia.


II

“Qu’est ce qu’ils savent de l’amour, et qu’est ce qu’ils peuvent comprendre?
S’ils ne comprennent pas la poésie, s’ils ne sentent pas la musique, qu’est ce qu’ils peuvent comprendre de cette passion en comparaison avec laquelle la rose est grossière et le parfum desviolettes un tonnerre?” — CAID ALI

For three years, diabolus in the scale,
He drank ambrosia,
All passes, ANANGKE prevails,
Came end, at last, to that Arcadia.

He had moved amid her phantasmagoria,
Amid her galaxies,
NUKTIS’AGALMA

. . . . . . . .

Drifted ... drifted precipitate
Asking time to be rid of ...
Of his bewilderment; to designate
His new found orchid. ...

To be certain ... certain ...
(Amid ærial flowers) ... time for arrangements—
Drifted on
To the final estrangement;

Unable in the supervening blankness
To sift TO AGATHON from the chaff
Until he found his sieve ...
Ultimately, his seismograph:

—Given that is his “fundamental passion,”
This urge to convey the relation
Of eye-lid and cheek-bone
By verbal manifestations;

To present the series
Of curious heads in medallion—

He had passed, inconscient, full gaze,
The wide-banded irides
And botticellian sprays implied
In their diastasis;

Which anæsthesis, noted a year late,
And weighed, revealed his great affect,
(Orchid), mandate
Of Eros, a retrospect.

. . .

Mouths biting empty air,
The still stone dogs,
Caught in metamorphosis, were
Left him as epilogues.


“THE AGE DEMANDED”

VIDE poem II. PAGE 355

For this agility chance found
Him of all men, unfit
As the red-beaked steeds of
The Cytheræan for a chain bit.

The glow of porcelain
Brought no reforming sense
To his perception
Of the social inconsequence.

Thus, if her colour
Came against his gaze,
Tempered as if
It were through a perfect glaze

He made no immediate application
Of this to relation of the state
To the individual, the month was more temperate
Because this beauty had been.

. . . . .
The coral isle, the lion-coloured sand
Burst in upon the porcelain revery:
Impetuous troubling
Of his imagery.
. . . . .

Mildness, amid the neo-Nietzschean clatter,
His sense of graduations,
Quite out of place amid
Resistance to current exacerbations,

Invitation, mere invitation to perceptivity
Gradually led him to the isolation
Which these presents place
Under a more tolerant, perhaps, examination.

By constant elimination
The manifest universe
Yielded an armour
Against utter consternation,

A Minoan undulation,
Seen, we admit, amid ambrosial circumstances
Strengthened him against
The discouraging doctrine of chances,

And his desire for survival,
Faint in the most strenuous moods,
Became an Olympian apathein
In the presence of selected perceptions.

A pale gold, in the aforesaid pattern,
The unexpected palms
Destroying, certainly, the artist’s urge,
Left him delighted with the imaginary
Audition of the phantasmal sea-surge,

Incapable of the least utterance or composition,
Emendation, conservation of the “better tradition,”
Refinement of medium, elimination of superfluities,
August attraction or concentration.

Nothing, in brief, but maudlin confession,
Irresponse to human aggression,
Amid the precipitation, down-float
Of insubstantial manna,
Lifting the faint susurrus
Of his subjective hosannah.

Ultimate affronts to human redundancies;

Non-esteem of self-styled “his betters”
Leading, as he well knew,
To his final
Exclusion from the world of letters.


IV
Scattered Moluccas
Not knowing, day to day,
The first day’s end, in the next noon;
The placid water
Unbroken by the Simoon;
Thick foliage
Placid beneath warm suns,
Tawn fore-shores
Washed in the cobalt of oblivions;
Or through dawn-mist
The grey and rose
Of the juridical
Flamingoes;
A consciousness disjunct,
Being but this overblotted
Series
Of intermittences;
Coracle of Pacific voyages,
The unforecasted beach;
Then on an oar
Read this:
“I was
And I no more exist;
“Here drifted
An hedonist.”
MEDALLION
Luini in porcelain!
The grand piano
Utters a profane
Protest with her clear soprano.
The sleek head emerges
From the gold-yellow frock
As Anadyomene in the opening
Pages of Reinach.
Honey-red, closing the face-oval,
A basket-work of braids which seem as if they were
Spun in King Minos’ hall
From metal, or intractable amber;
The face-oval beneath the glaze,
Bright in its suave bounding-line, as,
Beneath half-watt rays,
The eyes turn topaz.

Rating:

Comment form:

*Max text - 1500. Manual moderation.

Similar Poems:

Hotel François 1er by Gertrude Stein
Gertrude Stein
It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.
Read Poem
0
185
Rating:

A Ballad of Death by Algernon Charles Swinburne
Algernon Charles Swinburne
Kneel down, fair Love, and fill thyself with tears,
Girdle thyself with sighing for a girth
Upon the sides of mirth,
Cover thy lips and eyelids, let thine ears
Be filled with rumour of people sorrowing;
Make thee soft raiment out of woven sighs
Upon the flesh to cleave,
Set pains therein and many a grievous thing,
And many sorrows after each his wise
For armlet and for gorget and for sleeve.

O Love's lute heard about the lands of death,
Left hanged upon the trees that were therein;
O Love and Time and Sin,
Three singing mouths that mourn now underbreath,
Read Poem
0
179
Rating:

To My Honor'd Kinsman, John Driden by John Dryden
John Dryden
Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:
Read Poem
0
134
Rating:

To the Angel Spirit of the Most Excellent Sir Philip Sidney by Mary Sidney Herbert Countess of Pembroke
Mary Sidney Herbert Countess of Pembroke
(Variant printed in Samuel Daniel’s 1623 Works) To thee, pure spirit, to thee alone addressed
Is this joint work, by double interest thine,
Thine by his own, and what is done of mine
Inspired by thee, thy secret power impressed.
Read Poem
0
131
Rating:

Jenny by Dante Gabriel Rossetti
Dante Gabriel Rossetti
“Vengeance of Jenny’s case! Fie on her! Never name her, child!”—Mrs. Quickly Lazy laughing languid Jenny,
Fond of a kiss and fond of a guinea,
Read Poem
0
177
Rating:

The Two Hermits by Kahlil Gibran
Kahlil Gibran
Upon a lonely mountain, there lived two hermits who worshipped God
and loved one another.

Now these two hermits had one earthen bowl, and this was their only
possession.

One day an evil spirit entered into the heart of the older hermit
and he came to the younger and said, “It is long that we have
lived together. The time has come for us to part. Let us divide
our possessions.”

Then the younger hermit was saddened and he said, “It grieves
me, Brother, that thou shouldst leave me. But if thou must needs
go, so be it,” and he brought the earthen bowl and gave it to him
saying, “We cannot divide it, Brother, let it be thine.”

Then the older hermit said, “Charity I will not accept. I will
take nothing but mine own. It must be divided.”

And the younger one said, “If the bowl be broken, of what use would
it be to thee or to me? If it be thy pleasure let us rather cast
a lot.”

But the older hermit said again, “I will have but justice and mine
own, and I will not trust justice and mine own to vain chance. The
bowl must be divided.”

Then the younger hermit could reason no further and he said, “If
it be indeed thy will, and if even so thou wouldst have it let us
now break the bowl.”

But the face of the older hermit grew exceedingly dark, and he
cried, “O thou cursed coward, thou wouldst not fight.”
Read Poem
0
152
Rating:

from The Seasons: Winter by James Thomson
James Thomson
See, Winter comes to rule the varied year,
Sullen and sad, with all his rising train—
Vapours, and clouds, and storms. Be these my theme,
These, that exalt the soul to solemn thought
And heavenly musing. Welcome, kindred glooms!
Congenial horrors, hail! With frequent foot,
Pleas’d have I, in my cheerful morn of life,
When nurs’d by careless solitude I liv’d
And sung of Nature with unceasing joy,
Pleas’d have I wander’d through your rough domain;
Trod the pure virgin-snows, myself as pure;
Heard the winds roar, and the big torrent burst;
Or seen the deep-fermenting tempest brew’d
In the grim evening-sky. Thus pass’d the time,
Till through the lucid chambers of the south
Read Poem
0
161
Rating:

Snails by Francis Ponge
Francis Ponge
Unlike the ashes that make their home with hot coals, snails prefer moist earth. Go on: they advance while gluing themselves to it with their entire bodies. They carry it, they eat it, they shit it. They go through it, it goes through them. It’s the best kind of interpenetration, as between tones, one passive and one active. The passive bathes and nourishes the active, which overturns the other while it eats.

(There is more to be said about snails. First of all their immaculate clamminess. Their sangfroid. Their stretchiness.)

One can scarcely conceive of a snail outside its shell and unmoving. The moment it rests it sinks down deep into itself. In fact, its modesty obliges it to move as soon as it has shown its nakedness and 
revealed its vulnerable shape. The moment it’s exposed, it moves on.

During periods of dryness they withdraw into ditches where it seems their bodies are enough to maintain their dampness. No doubt their neighbors there are toads and frogs and other ectothermic animals. But when they come out again they don’t move as quickly. You have to admire their willingness to go into the ditch, given how hard it is for them to come out again.

Note also that though snails like moist soil, they have no affection for places that are too wet such as marshes or ponds. Most assuredly they prefer firm earth, as long as it’s fertile and damp.

They are fond as well of moisture-rich vegetables and green leafy plants. They know how to feed on them leaving only the veins, cutting free the most tender leaves. They are hell on salads.

What are these beings from the depths of the ditches? Though snails love many of their trenches’ qualities they have every intention of leaving. They are in their element but they are also wanderers. And when they emerge into the daylight onto firm ground their shells will preserve their vagabond’s hauteur.

It must be a pain to have to haul that trailer around with them everywhere, but they never complain and in the end they are happy about it. How valuable, after all, to be able to go home any time, no matter where you may find yourself, eluding all intruders. It must be worth it.
Read Poem
0
194
Rating:

Faustine by Algernon Charles Swinburne
Algernon Charles Swinburne
Ave Faustina Imperatrix, morituri te salutant. Lean back, and get some minutes' peace;
Let your head lean
Back to the shoulder with its fleece
Of locks, Faustine.
Read Poem
0
172
Rating:

Song by Stephen Spender
Stephen Spender
Stranger, you who hide my love
In the curved cheek of a smile
And sleep with her upon a tongue
Of soft lies that beguile,
Your paradisal ecstasy
Is justified is justified
By hunger of the beasts beneath
The overhanging cloud
Read Poem
0
132
Rating:

Adonais: An Elegy on the Death of John Keats by Percy Bysshe Shelley
Percy Bysshe Shelley
I
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness? where was lorn Urania
Read Poem
0
161
Rating:

from Aurora Leigh, Second Book by Elizabeth Barrett Browning
Elizabeth Barrett Browning

'There it is!–
You play beside a death-bed like a child,
Yet measure to yourself a prophet's place
To teach the living. None of all these things,
Can women understand. You generalise,
Oh, nothing!–not even grief! Your quick-breathed hearts,
So sympathetic to the personal pang,
Read Poem
0
165
Rating:

Imitations of Horace by Alexander Pope
Alexander Pope
Ne Rubeam, Pingui donatus Munere
(Horace, Epistles II.i.267)
While you, great patron of mankind, sustain
The balanc'd world, and open all the main;
Your country, chief, in arms abroad defend,
At home, with morals, arts, and laws amend;
Read Poem
0
136
Rating:

Dejection: An Ode by Samuel Taylor Coleridge
Samuel Taylor Coleridge
Late, late yestreen I saw the new Moon,
With the old Moon in her arms;
And I fear, I fear, my Master dear!
We shall have a deadly storm.
(Ballad of Sir Patrick Spence)
I
Well! If the Bard was weather-wise, who made
The grand old ballad of Sir Patrick Spence,
This night, so tranquil now, will not go hence
Read Poem
0
168
Rating:

Blues for Alice by Clark Coolidge
Clark Coolidge
When you get in on a try you never learn it back
umpteen times the tenth part of a featured world
in black and in back it’s roses and fostered nail
bite rhyme sling slang, a song that teaches without
travail of the tale, the one you longing live
and singing burn

It’s insane to remain a trope, of a rinsing out
or a ringing whatever, it’s those bells that . . .
Read Poem
0
129
Rating:

Prometheus by Lord Byron (George Gordon)
Lord Byron (George Gordon)
Titan! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,
Were not as things that gods despise;
What was thy pity's recompense?
A silent suffering, and intense;
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.

Read Poem
0
163
Rating:

The Prisoner of Chillon by Lord Byron (George Gordon)
Lord Byron (George Gordon)
My hair is grey, but not with years,
Nor grew it white
In a single night,
As men's have grown from sudden fears:
My limbs are bow'd, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those
Read Poem
0
149
Rating:

The Hunting of the Snark by Lewis Carroll
Lewis Carroll
Fit the First
The Landing

"Just the place for a Snark!" the Bellman cried,
As he landed his crew with care;
Supporting each man on the top of the tide
By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
That alone should encourage the crew.
Read Poem
0
184
Rating:

A Friendly Address by Thomas Hood
Thomas Hood
TO MRS. FRY IN NEWGATE

Sermons in stones.—As You Like It.
Out! out! damned spot.—Macbeth. I like you, Mrs. Fry! I like your name!
Read Poem
0
197
Rating:

The Photos by Diane Wakoski
Diane Wakoski
My sister in her well-tailored silk blouse hands me
the photo of my father
in naval uniform and white hat.
I say, “Oh, this is the one which Mama used to have on her dresser.”

My sister controls her face and furtively looks at my mother,
a sad rag bag of a woman, lumpy and sagging everywhere,
like a mattress at the Salvation Army, though with no holes or tears,
and says, “No.”
Read Poem
0
640
Rating: