Ceremony

William de la Pole, Duke of Suffolk: beheaded 1450
John Tiptoft, Earl of Worcester: beheaded 1470
Anthony Woodville, Earl Rivers: beheaded 1483 1

Aiee! It is the ceremony of the first blades of winter.
Horticulture, horticulture, the little steam train says puffing up the mountainside.
As if he had never known a home of his own, only ditches.
Three stomps with a stone stump and the colloquium started.
Beggars under the drainpipe, another hand’s cast of the bone dice.
Whatever name the event has, it can be understood as an invitation.
Epilepsy, epilepsy, the little steam train said, descending at evening.
They bowed so low that their wigs tangled and I had to laugh.

for Learned and Augustus Hand You, my friends, and you strangers, all of you,
Stand with me a little by the walls

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

This Earth the king said
Looking at the ground;
This England. But we drive
A Sunday paradise
Of parkway, trees flow into trees and the grass
Like water by the very asphalt crown
And summit of things
In the flow of traffic

Am I a character in the dreams
of the god Hermes the messenger?
Certainly many of my dreams
have nothing to do with the
common life around me. There
are never any automobiles or
airplanes in them. These
dreams belong to an age in

Shall I say how it is in your clothes?
A month after your death I wear your blue jacket.
The dog at the center of my life recognizes
you’ve come to visit, he’s ecstatic.
In the left pocket, a hole.
In the right, a parking ticket
delivered up last August on Bay State Road.
In my heart, a scatter like milkweed,

In a morning coat,
hands locked behind your back,
you walk gravely along the lines in your head.
These others stand with you,
squinting the city into place,
yet cannot see what you see,
what you would see
—a vision of these paths,

I

King of the perennial holly-groves, the riven sandstone: overlord of the M5: architect of the historic rampart and ditch, the citadel at Tamworth, the summer hermitage in Holy Cross: guardian of the Welsh Bridge and the Iron Bridge: contractor to the desirable new estates: saltmaster: moneychanger: commissioner for oaths: martyrologist: the friend of Charlemagne.

‘I liked that,’ said Offa, ‘sing it again.’


IV

I was invested in mother-earth, the crypt of roots and endings. Child’s-play. I abode there, bided my time: where the mole

shouldered the clogged wheel, his gold solidus; where dry-dust badgers thronged the Roman flues, the long-unlooked-for mansions of our tribe.


V

So much for the elves’ wergild, the true governance of England, the gaunt warrior-gospel armoured in engraved stone. I wormed my way heavenward for ages amid barbaric ivy, scrollwork of fern.

Look in the mirror. Let us both look.
Here is my naked body.
Apparently you like it,
I have no reason to.
Who bound us, me and my body?
Why must I die
together with it?
I have the right to know where the borderline

We need the ceremony of one another,
meals served, more love,
more handling of one another with love, less
casting out of those who are not
of our own household.

‘This turkey is either not cooked
enough or it’s tough.’

(Kamo-no-Chomei, born at Kamo 1154, died at Toyama on Mount Hino, 24th June 1216)

OF Mans First Disobedience, and the Fruit
Of that Forbidden Tree, whose mortal tast
Brought Death into the World, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful Seat,
Sing Heav'nly Muse, that on the secret top
Of Oreb, or of Sinai, didst inspire
That Shepherd, who first taught the chosen Seed,

I


Fate is cleverer than the king
of Babylon. Shadow of yew
fall through windows onto

the floor of the nave and
touch the pillars with tattered
shade. You claim the dearest wish of your

life is to sink into a soul-freezing

Light from the ugliest lamp I ever saw, here
on the table that triples for reading, eating (can’t say
dining), business on the phone; ugliest except
a few around the corner in that guest house at windows

—plaster driftwood; cylinders like rockets or sanitary
napkins propping shades; thin torso of a youth;
red globe on orange globe, the works, somebody’s
collection. Wouldn’t she love this one, lump of lamp base

I

From a blue keg, the barrel's thumb-tuned goatskin,
the choirs of ancestral ululation
are psalms and pivot for the prodigal
in a dirt yard at Piaille, are confrontation,
old incantation and fresh sacrifice
where a ram is tethered, without the scrolled horns,
wool locks and beard of the scapegoat,

“Say it enough times and it's August.”
—Geoffrey G. O'Brien, “Three Years” On a set you need bush rebels,
that numbing little chair while passing.

The Duchess of  Gloucester will open
hae ye ever been in Bedlam hinny
the Sir Walter Scott Bicentenary Exhibition
are ye no fair deaved wi the skirling
in Parliament House Edinburgh on August 15
I never laughed sae muckle afore
Sir Walter’s descendants
I’ll rive every dud aff their backs

Once more the storm is howling, and half hid
Under this cradle-hood and coverlid
My child sleeps on. There is no obstacle
But Gregory's Wood and one bare hill
Whereby the haystack and roof-levelling wind,
Bred on the Atlantic, can be stayed;
And for an hour I have walked and prayed
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour,
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come