I He who has never tasted the grapes of Canaan can only view them from Pisgah.
I have my tides, O sea-foamed Venus, dearer than watercress, pipkins, thyme and clymene. You once held me by the cord of my navel, but I have not died to live in Mahomet’s paradise.
Would that I could gather up my love to me as one does one’s fate, or measure her nature as God does the sea.
We are a weary race that hates seedtime. Poor Persephone, who is Maying springtime, and the coming up of flowers! We remember only what we seed, and Persephone goes down into the earth after Spring and Summer vegetation only because Pluto gave her pomegranate seeds to remember him, but if the seed perish, Persephone will die, and memory shall pass from the earth.
A man of humble blood, with a soul of Kidron, needs a Rachel, but I labored for years in the weary fields for Leah.II The world is a wound in my soul, and I have sought the living waters in meditation, and the angelical fountains in the desert of Beersheba for solitude, for what health there is in friendship comes when one is alone.
I shed tears on the Mount of Olives because people no longer care for each other, but my friends have lacked the character for the vigil. There is no Cana wine in human affections that are not always awake, for people who do not trouble about each other are foes.
It is humiliating being the lamb and bleating to each passerby, “Feed me!” What is the use of saying that men are stones when I know I am going to try to turn them into bread.
I am afraid to say that people are truthful. When a man tells me he is honest I press my hand close to my heart where I keep my miserable wallet. If he says he has any goodness in him, I avoid him, for I trust nobody who has so little fear of the evils that grow and ripen in us while we imagine we have one virtuous trait. These demons lie in ambush in the thick, heady coverts of the blood, where hypocrisy and egoism fatten, waiting to mock or betray us in any moment of self-esteem.
I have no faith in a meek man, and regard anyone that shows a humble mien as one who is preparing to make an attack upon me, for there is some brutish, nether fault in starved vanity.
Yet once a friend leaned as gently on my coat as that disciple had on the bosom of the Saviour, and I went away, not knowing by his affection whether I was the John Christ was said to have loved most. I whispered thanks to my soul because he leaned upon me, for I shall never know who I am if I am not loved.
V Much flesh walks upon the earth void of heart and warm liver, for it is the spirit that dies soonest.
Some men have marshland natures with mist and sea-water in their intellects, and are as sterile as the Florida earth which De Soto found in those meager, rough Indian settlements, and their tongues are fierce, reedy arrows. They wound and bleed the spirit, and their oaks and chestnut trees and acorns are wild, and a terrible, barren wind from the Atlantic blows through their blood as pitiless as the primitive rivers De Soto’s soldiers could not ford.
Do not attempt to cross these mad, tumid rivers, boreal and brackish, for water is unstable, and you cannot link yourself to it.
There are also inland, domestic men who are timid pulse and vetch, and though they may appear as stupid as poultry rooting in the mire, they are housed people, and they have orchards and good, tamed wine that makes men loving rather than predatory; go to them, and take little thought of their ignorance which brings forth good fruits, for here you may eat and not be on guard for the preservation of your soul.
People who have domestic animals are patient, for atheism and the stony heart are the result of traveling: sorrow never goes anywhere. Were we as content as our forefathers were with labor in the fallow, or as a fuller with his cloth, or a drayman with his horses and mules, we would stay where we are, and that is praying.
There are men that are birds, and their raiment is trembling feathers, for they show their souls to everyone, and everything that is ungentle or untutored or evil or mockery is as a rude stone cast at them, and they suffer all day long, or as Paul remarks they are slain every moment.
God forgive me for my pride; though I would relinquish my own birthright for that wretched pottage of lentils which is friendship, I mistrust every mortal.
Each day the alms I ask of heaven is not to have a new chagrin which is my daily bread.
Kneel down, fair Love, and fill thyself with tears, Girdle thyself with sighing for a girth Upon the sides of mirth, Cover thy lips and eyelids, let thine ears Be filled with rumour of people sorrowing; Make thee soft raiment out of woven sighs Upon the flesh to cleave, Set pains therein and many a grievous thing, And many sorrows after each his wise For armlet and for gorget and for sleeve.
O Love's lute heard about the lands of death, Left hanged upon the trees that were therein; O Love and Time and Sin, Three singing mouths that mourn now underbreath,
Nous devrions pourtant lui porter quelques fleurs; Les morts, les pauvres morts, ont de grandes douleurs, Et quand Octobre souffle, émondeur des vieux arbres, Son vent mélancolique àl'entour de leurs marbres, Certe, ils doivent trouver les vivants bien ingrats.
Les Fleurs du Mal. I Shall I strew on thee rose or rue or laurel, Brother, on this that was the veil of thee? Or quiet sea-flower moulded by the sea,
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
The ground dove stuttered for a few steps then flew up from his path to settle in the sun-browned branches that were now barely twigs; in drought it coos with its relentless valve, a tiring sound, not like the sweet exchanges of turtles in the Song of Solomon, or the flutes of Venus in frescoes though all the mounds in the dove-calling drought
A Tower of Brass, one would have said, And Locks, and Bolts, and Iron Bars, Might have preserv’d one innocent Maiden-head. The jealous Father thought he well might spare All further jealous Care. And, as he walk’d, t’himself alone he smiled, To think how Venus’ Arts he had beguil’d; And when he slept, his Rest was deep: But Venus laugh’d, to see and hear him sleep: She taught the am’rous Jove A magical Receipt in Love, Which arm’d him stronger, and which help’d him more, Than all his Thunder did, and his Almightyship before.
I that have been a lover, and could show it, Though not in these, in rithmes not wholly dumb, Since I exscribe your sonnets, am become A better lover, and much better poet. Nor is my Muse or I ashamed to owe it To those true numerous graces, whereof some But charm the senses, others overcome Both brains and hearts; and mine now best do know it:
Hence loathed Melancholy, Of Cerberus, and blackest Midnight born, In Stygian cave forlorn, 'Mongst horrid shapes, and shrieks, and sights unholy; Find out some uncouth cell, Where brooding Darkness spreads his jealous wings, And the night-raven sings; There under ebon shades, and low-brow'd rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell. But come thou goddess fair and free, In heav'n yclep'd Euphrosyne, And by men, heart-easing Mirth, Whom lovely Venus at a birth With two sister Graces more
What length of verse can serve brave Mopsa’s good to show, Whose virtues strange, and beauties such, as no man them may know? Thus shrewdly burden, then, how can my Muse escape? The gods must help, and precious things must serve to show her shape.
Like great god Saturn, fair, and like fair Venus, chaste; As smooth as Pan, as Juno mild, like goddess Iris fast. With Cupid she foresees, and goes god Vulcan’s pace;
The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees.
Canto III appeared in the July, 1917 issue of Poetry. Originally part of what scholars call the "Ur-Cantos," this version of Canto III was later edited by Pound to become Canto I of his collected Cantos. The section that eventually became Canto I is highlighted in blue in the poem below. —THE EDITORS
III
Another's a half-cracked fellow—John Heydon, Worker of miracles, dealer in levitation, In thoughts upon pure form, in alchemy, Seer of pretty visions ("servant of God and secretary of nature"); Full of plaintive charm, like Botticelli's, With half-transparent forms, lacking the vigor of gods. Thus Heydon, in a trance, at Bulverton, Had such a sight: Decked all in green, with sleeves of yellow silk
Now that I have cooled to you Let there be gold of tarnished masonry, Temples soothed by the sun to ruin That sleep utterly. Give me hand for the dances, Ripples at Philae, in and out, And lips, my Lesbian, Wall flowers that once were flame.
Clora, come view my soul, and tell Whether I have contrived it well. Now all its several lodgings lie Composed into one gallery; And the great arras-hangings, made Of various faces, by are laid; That, for all furniture, you’ll find Only your picture in my mind.
Here thou are painted in the dress Of an inhuman murderess; Examining upon our hearts Thy fertile shop of cruel arts: Engines more keen than ever yet Adorned a tyrant’s cabinet;
An old man in Concord forgets to go to morning service. He falls asleep, while reading Vergil, and dreams that he is Aeneas at the funeral of Pallas, an Italian prince. The sun is blue and scarlet on my page, And yuck-a, yuck-a, yuck-a, yuck-a, rage
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