With what stillness at last you appear in the valley your first sunlight reaching down to touch the tips of a few high leaves that do not stir as though they had not noticed and did not know you at all then the voice of a dove calls
Let some one hold the book, and ask one of the questions. The answers being all numbered, the girl or boy who is questioned chooses a number, and the person who holds the book reads the answer to which that number belongs, aloud. For instance:
Question. What is your character? Answer. I choose No. 3
Questioner reads aloud:
No. 3. Gentle tempered, sweet and kind, To no angry word inclined.
Master of beauty, craftsman of the snowflake, inimitable contriver, endower of Earth so gorgeous & different from the boring Moon, thank you for such as it is my gift.
I have made up a morning prayer to you containing with precision everything that most matters. ‘According to Thy will’ the thing begins.
Orange peels, burned letters, the car lights shining on the grass, everything goes somewhere—and everything we do—nothing ever disappears. But changes. The roar of the sun in photographs. Inching shorelines. Ice lines. The cells of our skin; our meetings, our solitudes. Our eyes.
A bee careens at the window here; flies out, released: a life without harm, without shame. That woman, my friend, circling against her life, a married life; that man, my friend,
Learn then what morals critics ought to show, For 'tis but half a judge's task, to know. 'Tis not enough, taste, judgment, learning, join; In all you speak, let truth and candour shine: That not alone what to your sense is due, All may allow; but seek your friendship too.
But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole,
Neque sermonibus vulgi dederis te, nec in præmiis spem posueris rerum tuarum; suis te oportet illecebris ipsa virtus trahat ad verum decus. Quid de te alii loquantur, ipsi videant, sed loquentur tamen. (Cicero, De Re Publica VI.23)
["... you will not any longer attend to the vulgar mob's gossip nor put your trust in human rewards for your deeds; virtue, through her own charms, should lead you to true glory. Let what others say about you be their concern; whatever it is, they will say it anyway."] Shut, shut the door, good John! fatigu'd, I said, Tie up the knocker, say I'm sick, I'm dead. The dog-star rages! nay 'tis past a doubt, All Bedlam, or Parnassus, is let out:
This day, whate'er the Fates decree, Shall still be kept with joy by me: This day then let us not be told, That you are sick, and I grown old; Nor think on our approaching ills, And talk of spectacles and pills. To-morrow will be time enough To hear such mortifying stuff. Yet, since from reason may be brought A better and more pleasing thought, Which can, in spite of all decays, Support a few remaining days: From not the gravest of divines Accept for once some serious lines.
I Oh Galuppi, Baldassaro, this is very sad to find! I can hardly misconceive you; it would prove me deaf and blind; But although I take your meaning, 'tis with such a heavy mind!
II Here you come with your old music, and here's all the good it brings. What, they lived once thus at Venice where the merchants were the kings, Where Saint Mark's is, where the Doges used to wed the sea with rings?
III Ay, because the sea's the street there; and 'tis arched by . . . what you call . . . Shylock's bridge with houses on it, where they kept the carnival: I was never out of England—it's as if I saw it all.
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