Loudly sweep the winds of autumn O'er that lone, beloved grave, Where we laid those sunny ringlets, When those blue eyes set like stars, Leaving us to outer darkness. O the longing and the aching! O the sere deserted grave!
the day he traveled to my daughter's house
it was june. he cursed me with his morning nod
of anger as he filtered his callous
walk. skip. hop. feet slipshod
from 125th street bars, face curled with odd
reflections. the skin of a father is accented
in the sentence of the unaccented.
1 As I ebb’d with the ocean of life, As I wended the shores I know, As I walk’d where the ripples continually wash you Paumanok, Where they rustle up hoarse and sibilant, Where the fierce old mother endlessly cries for her castaways, I musing late in the autumn day, gazing off southward, Held by this electric self out of the pride of which I utter poems, Was seiz’d by the spirit that trails in the lines underfoot, The rim, the sediment that stands for all the water and all the land of the globe.
Fascinated, my eyes reverting from the south, dropt, to follow those slender windrows, Chaff, straw, splinters of wood, weeds, and the sea-gluten, Scum, scales from shining rocks, leaves of salt-lettuce, left by the tide, Miles walking, the sound of breaking waves the other side of me,
A Load of brushes and baskets and cradles and chairs Labours along the street in the rain: With it a man, a woman, a pony with whiteybrown hairs. — The man foots in front of the horse with a shambling sway At a slower tread than a funeral train, While to a dirge-like tune he chants his wares, Swinging a Turk's-head brush (in a drum-major's way When the bandsmen march and play).
Nota: man is the intelligence of his soil, The sovereign ghost. As such, the Socrates Of snails, musician of pears, principium And lex. Sed quaeritur: is this same wig Of things, this nincompated pedagogue,
Home, thou return'st from Thames, whose Naiads long Have seen thee ling'ring, with a fond delay, Mid those soft friends, whose hearts, some future day, Shall melt, perhaps, to hear thy tragic song. Go, not unmindful of that cordial youth, Whom, long endear'd, thou leav'st by Lavant's side; Together let us wish him lasting truth, And joy untainted with his destined bride. Go! nor regardless, while these numbers boast My short-lived bliss, forget my social name; But think far off how, on the southern coast, I met thy friendship with an equal flame! Fresh to that soil thou turn'st, whose ev'ry vale Shall prompt the poet, and his song demand: To thee thy copious subjects ne'er shall fail;
Yet, even ‘mid merry boyhood’s tricks and scapes, Early my heart a deeper lesson learnt; Wandering alone by many a mile burnt Black woodside, that but the snow-flake decks and drapes. And I have stood beneath Canadian sky, In utter solitudes, where the cricket’s cry
She fears him, and will always ask What fated her to choose him; She meets in his engaging mask All reasons to refuse him; But what she meets and what she fears Are less than are the downward years, Drawn slowly to the foamless weirs Of age, were she to lose him.
Between a blurred sagacity That once had power to sound him, And Love, that will not let him be The Judas that she found him, Her pride assuages her almost, As if it were alone the cost.—
To the Memory of the Household It Describes This Poem is Dedicated by the Author
“As the Spirits of Darkness be stronger in the dark, so Good Spirits, which be Angels of Light, are augmented not only by the Divine light of the Sun, but also by our common Wood Fire: and as the Celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.” —Cor. Agrippa, Occult Philosophy, Book I.ch. v.
“Announced by all the trumpets of the sky, Arrives the snow, and, driving o’er the fields, Seems nowhere to alight: the whited air Hides hills and woods, the river and the heaven, And veils the farm-house at the garden’s end. The sled and traveller stopped, the courier’s feet Delayed, all friends shut out, the housemates sit Around the radiant fireplace, enclosed In a tumultuous privacy of Storm.” EMERSON, The Snow Storm. The sun that brief December day Rose cheerless over hills of gray, And, darkly circled, gave at noon A sadder light than waning moon.
What beck'ning ghost, along the moon-light shade Invites my steps, and points to yonder glade? 'Tis she!—but why that bleeding bosom gor'd, Why dimly gleams the visionary sword? Oh ever beauteous, ever friendly! tell, Is it, in heav'n, a crime to love too well? To bear too tender, or too firm a heart, To act a lover's or a Roman's part?
(excerpt) "Throughout these infinite orbs of mingling light, Of which yon earth is one, is wide diffus'd A Spirit of activity and life, That knows no term, cessation, or decay;
Ring out your bells, let mourning shows be spread; For Love is dead— All love is dead, infected With plague of deep disdain; Worth, as nought worth, rejected, And Faith fair scorn doth gain. From so ungrateful fancy, From such a female franzy,
Stanza 1 From harmony, from Heav'nly harmony This universal frame began. When Nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise ye more than dead. Then cold, and hot, and moist, and dry, In order to their stations leap, And music's pow'r obey. From harmony, from Heav'nly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran,
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