And in a little while we broke under the strain: suppurations ad nauseam, the wanting to be taller, though it‘s simply about being mysterious, i.e., not taller, like any tree in any forest. Mute, the pancake describes you. It had tiny roman numerals embedded in its rim. It was a pancake clock. They had ’em in those days, always getting smaller, which is why they finally became extinct.
At five I wake, rise, rub on the smoking pane A port to see—water breathing in the air, Boughs broken. The sun comes up in a golden stain, Floats like a glassy sea-fruit. There is mist everywhere, White and humid, and the Harbour is like plated stone, Dull flakes of ice. One light drips out alone, One bead of winter-red, smouldering in the steam, Quietly over the roof-tops—another window
At the edge of the city the pickerel vomits and dies. The river with its white hair staggers to the sea.
My life lay crumpled like a smashed car.
Windows barred, ivy, square stone. Lines gather at mouth and at eyes like cracks in a membrane. Eyeballs and tongue spill on the floor in a puddle of yolks and whites.
The intact 707 under the clear wave, the sun shining.
As I sit here in the quiet Summer night, Suddenly, from the distant road, there comes The grind and rush of an electric car. And, from still farther off, An engine puffs sharply, Followed by the drawn-out shunting scrape of a freight train. These are the sounds that men make In the long business of living.
Sorting out letters and piles of my old Canceled checks, old clippings, and yellow note cards That meant something once, I happened to find Your picture. That picture. I stopped there cold, Like a man raking piles of dead leaves in his yard Who has turned up a severed hand.
Still, that first second, I was glad: you stand Just as you stood—shy, delicate, slender,
“Mother of heaven, regina of the clouds, O sceptre of the sun, crown of the moon, There is not nothing, no, no, never nothing, Like the clashed edges of two words that kill.” And so I mocked her in magnificent measure. Or was it that I mocked myself alone? I wish that I might be a thinking stone. The sea of spuming thought foists up again
I am an anarchist, and a full professor at that. I take the loyalty oath.
I am a deviate. I fondle and contribute, backscuttle and brown, father of three.
I stand high in the community. My name is in Who’s Who. People argue about my modesty.
I drink my share and yours and never have enough. I free-load officially and unofficially.
A physical coward, I take on all intellectuals, established poets, popes, rabbis, chiefs of staff.
I am a mystic. I will take an oath that I have seen the Virgin. Under the dry pandanus, to the scratching of kangaroo rats, I achieve psychic onanism. My tree of nerves electrocutes itself.
I uphold the image of America and force my luck. I write my own ticket to oblivion.
You perished, in a toyland, of surprise; and only I am here to bury you in dessicated tulip tips and eyes of broken diadie-dolls. Poor pink, poor blue!
Will you be grown when I’m in Heaven too? Will length of death have turned you Classical like old Bisque faces, keen and sainted view, pearl on your breast, pearl-pointed linen shawl?
After you've been to bed together for the first time, without the advantage or disadvantage of any prior acquaintance, the other party very often says to you, Tell me about yourself, I want to know all about you, what's your story? And you think maybe they really and truly do
sincerely want to know your life story, and so you light up a cigarette and begin to tell it to them, the two of you lying together in completely relaxed positions
“Fine bitches all, and Molly Dance...” —Djuna Barnes Come for duty’s sake (as girls do) we watch The sly very old woman wile away from her pious And stagger-blind friend, their daily split of gin. She pours big drinks. We think of what
The fellow talking to himself is me, Though I don't know it. That's to say, I see Him every morning shave and comb his hair And then lose track of him until he starts to care, Inflating sex dolls out of thin air In front of his computer, in a battered leather chair That needs to be thrown out . . . then I lose track Until he strides along the sidewalk on the attack
1963
What shall I tell my children who are black
Of what it means to be a captive in this dark skin
What shall I tell my dear one, fruit of my womb,
Of how beautiful they are when everywhere they turn
They are faced with abhorrence of everything that is black.
Villains are black with black hearts.
Our city fled, So I sought its paths in haste And looked around—I saw only horizon, And I perceived that those who flee tomorrow And those who return tomorrow Are a body I tear apart on my page.
I could see: the clouds were a throat, The water formed walls of flame.
There were still shards of an ancient pastoral in those shires of the island where the cattle drank their pools of shadow from an older sky, surviving from when the landscape copied such subjects as “Herefords at Sunset in the Valley of the Wye.” The mountain water that fell white from the mill wheel sprinkling like petals from the star-apple trees, and all of the windmills and sugar mills moved by mules
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