Incident

The fellow talking to himself is me,
Though I don't know it. That's to say, I see
Him every morning shave and comb his hair
And then lose track of him until he starts to care,
Inflating sex dolls out of thin air
In front of his computer, in a battered leather chair
That needs to be thrown out . . . then I lose track
Until he strides along the sidewalk on the attack

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

MARIA NEFELE:
I walk in thorns in the dark
of what’s to happen and what has
with my only weapon my only defense
my nails purple like cyclamens.

ANTIPHONIST:
I saw her everywhere. Holding a glass and staring in space. Lying down
listening to records. Walking the streets in wide trousers and an old

"When I hit her on the head, it was good,

and then I did it to her a couple of times,—
but it was funny,—afterwards,
it was as if somebody else did it...

Everything flat, without sharpness, richness or line.

Still, I liked to drive past the woods where she lay,
tell the old lady and the kids I had to take a piss,
hop out and do it to her...

“Stephen Smith, University of Iowa sophomore, burned what he said was his draft card”
and Norman Morrison, Quaker, of Baltimore Maryland, burned what he said was himself.
You, Robert McNamara, burned what you said was a concentration
of the Enemy Aggressor.
No news medium troubled to put it in quotes.

And Norman Morrison, Quaker, of Baltimore Maryland, burned what he said was himself.
He said it with simple materials such as would be found in your kitchen.
In your office you were informed.

It’s a fine fact that whenever I sit in a tavern corner
sipping a grappa, the pederast’s there, or the kids
with their screaming, or the unemployed guy,
or some beautiful girl outside—all breaking
the thread of my smoke. That’s how it is, kid,
I’m telling it straight, I work at Lucento.
But that voice, that sorrowful voice of the old man
(forty-ish, maybe?) who shook my hand

You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass's head in Fairyland
As he would add a shilling to more shillings,
All most harmonious, — and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him —
All you down there where your small Avon flows
By Stratford, and where you're an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.

For Rafael Heliodoro Valle I set out from the Port of Acapulco on the twenty-third of March
And kept a steady course until Saturday, the fourth of April, when

“Speak! speak! thou fearful guest!
Who, with thy hollow breast
Still in rude armor drest,
Comest to daunt me!
Wrapt not in Eastern balms,
But with thy fleshless palms
Stretched, as if asking alms,
Why dost thou haunt me?”

Then, from those cavernous eyes
Pale flashes seemed to rise,
As when the Northern skies
Gleam in December;
And, like the water’s flow
Under December’s snow,