The seas has made a wall for its defence of falling water. Those whose impertinence leads them to its moving ledges it rejects. Those who surrender it will with the next wave drag under.
Sand is the beginning and the end of our dominion.
The wind rests its cheek upon the ground and feels the cool damp And lifts its head with twigs and small dead blades of grass Pressed into it as you might at the beach rise up and brush away The sand. The day is cool and says, “I’m just staying overnight.” The world is filled with music, and in between the music, silence And varying the silence all sorts of sounds, natural and man made: There goes a plane, some cars, geese that honk and, not here, but Not so far away, a scream so rending that to hear it is to be
I put my hand Into the dream That falls upon The air. It Touches me a little, But I don’t complain. I’m almost asleep When I get there. Where Byron Lost the scent of his Life, over there, Where the dreams are. It’s always Hot, like The eyes of the
From routine that deafly eats away Is it the soul with slavering morselling bites: From howls torn Out of hours that have no throats, when dawn creeps Back to her cavern with the unborn day: From great this, little that: the dust Hissing beneath the bed: The silence
Because the ostracized experience the world in ways peculiar to themselves, often seeing it clearly yet with such anger and longing that they sometimes enlarge what they see, she at first saw Brigantine as a paradise for gulls. She must be a horseshoe crab washed ashore.
How startling, though, no one knew about her past,
1. At the Walking Dunes, Eastern Long Island That a bent piece of straw made a circle in the sand. That it represents the true direction of the wind. Beach grass, tousled phragmite. Bone-white dishes, scoops and bowls, glaring without seeing. An accordion of creases on the downhill, sand drapery. The cranberry bushes biting down to survive. And the wind’s needlework athwart the eyeless Atlantic.
It should have a woman's name, something to tell us how the green skirt of land has bound its hips. When the day lowers its vermilion tapestry over the west ridge, the water has the sound of leaves shaken in a sack, and the child's voice that you have heard below sings of the sea.
I go separately The sweet knees of oxen have pressed a path for me ghosts with ingots have burned their bare hands it is the dungaree darkness with China stitched where the westerly winds and the traveler’s checks the evensong of salesmen the glistening paraphernalia of twin suitcases
From the beginning, the egg cradled in pebbles, The drive thick with fledglings, to the known last Riot of the senses, is only a short pass. Earth to be forked over is more patient, Bird hungers more, flower dies sooner.
But if not grasped grows quickly, silently. We are restless, not remembering much. The pain is slow, original as laughter,
Content that now the bleeding bone be swept Out of her reach, she lay upon her side. In a blonde void sunk deep, she slept, she slept Bland as a child, slept, breathing like a bride. Color of noons that shimmer as they sing Above the dunes, her sandy flanks heaved slow. Between her paws curled inward, billowing Waves of desert silence seemed to flow.
A day all blue and white, and we Came out of woods to sand And snow-capped waves. The sea Rose with us as we walked, the land Built dunes, a lighthouse, and a sky of gulls.
Here where I built my life ten years ago, The day breaks gray and cold; And brown surf, muddying the shore,
Combed thru the piers the wind Moves in the clever city Not in the doors but the hinges Finds the secret of motion As tho the hollow ships moved in their voices, murmurs Flaws
A castaway blown south from the arctic tundra sits on a stump in an abandoned farmer’s field. Beyond the dunes cattails toss and bend as snappy as the surf, rushing and crashing down the jetty.
His head a swivel of round glances, his eyes a deeper yellow than the winter sun, he wonders if the spot two hundred feet away is a mouse on the crawl from mud hole
Light from the ugliest lamp I ever saw, here on the table that triples for reading, eating (can’t say dining), business on the phone; ugliest except a few around the corner in that guest house at windows
—plaster driftwood; cylinders like rockets or sanitary napkins propping shades; thin torso of a youth; red globe on orange globe, the works, somebody’s collection. Wouldn’t she love this one, lump of lamp base
“If you work a body of water and a body of woman you can take fish out of one and children out of the other for the two kinds of survival. The fishing is good, both kinds are adequate in pleasures and yield, but the hard work and the miseries are killing; it is a good life if life is good. If not, not. You are out in the world and in in the world, having it both ways: it is sportive and prevenient living
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