In November

I

The whole of human history …

The whole of human history
seems to be the story of men who kill,
and of men who are killed;
of murderers who light their cigarettes
with trembling hands,

Here, in the darkness, where this plaster saint
Stands nearer than God stands to our distress,
And one small candle shines, but not so faint
As the far lights of everlastingness,
I’d rather kneel than over there, in open day
Where Christ is hanging, rather pray
To something more like my own clay,
Not too divine;

Our age bereft of nobility
How can our faces show it?
I look for love.
My lips stand out
dry and cracked with want
of it.
Oh it is well.
My poem shall show the need for it.

It was a very little while and they had gone in front of it. It was that they had liked it would it bear. It was a very much adjoined a follower. Flower of an adding where a follower.
Have I come in. Will in suggestion.
They may like hours in catching.
It is always a pleasure to remember.
Have a habit.
Any name will very well wear better.
All who live round about there.
Have a manner.
The hotel François Ier.
Just winter so.
It is indubitably often that she is as denied to soften help to when it is in all in midst of which in vehemence to taken given in a bestowal show than left help in double.
Having noticed often that it is newly noticed which makes older often.
The world has become smaller and more beautiful.
The world is grown smaller and more beautiful. That is it.
Yes that is it.

The wind rests its cheek upon the ground and feels the cool damp
And lifts its head with twigs and small dead blades of grass
Pressed into it as you might at the beach rise up and brush away
The sand. The day is cool and says, “I’m just staying overnight.”
The world is filled with music, and in between the music, silence
And varying the silence all sorts of sounds, natural and man made:
There goes a plane, some cars, geese that honk and, not here, but
Not so far away, a scream so rending that to hear it is to be

But do not let us quarrel any more,
No, my Lucrezia; bear with me for once:
Sit down and all shall happen as you wish.
You turn your face, but does it bring your heart?
I'll work then for your friend's friend, never fear,
Treat his own subject after his own way,
Fix his own time, accept too his own price,
And shut the money into this small hand
When next it takes mine. Will it? tenderly?
Oh, I'll content him,—but to-morrow, Love!
I often am much wearier than you think,
This evening more than usual, and it seems
As if—forgive now—should you let me sit
Here by the window with your hand in mine
And look a half-hour forth on Fiesole,

1

The autumn shade is thin. Grey leaves lie faint
Where they will lie, and, where the thick green was,
Light stands up, like a presence, to the sky.
The trees seem merely shadows of its age.
From off the hill, I hear the logging crew,
The furious and indifferent saw, the slow
Response of heavy pine; and I recall

[Introduction]
Lo now! four other acts upon the stage,
Childhood, and Youth, the Manly, and Old-age.
The first: son unto Phlegm, grand-child to water,
Unstable, supple, moist, and cold’s his Nature.
The second: frolic claims his pedigree;
From blood and air, for hot and moist is he.
The third of fire and choler is compos’d,
Vindicative, and quarrelsome dispos’d.
The last, of earth and heavy melancholy,
Solid, hating all lightness, and all folly.
Childhood was cloth’d in white, and given to show,
His spring was intermixed with some snow.
Upon his head a Garland Nature set:
Of Daisy, Primrose, and the Violet.

On a road through the mountains with a friend many years ago
I came to a curve on a slope where a clear stream
flowed down flashing across dark rocks through its own
echoes that could neither be caught nor forgotten
it was the turning of autumn and already
the mornings were cold with ragged clouds in the hollows
long after sunrise but the pasture sagging like a roof
the glassy water and flickering yellow leaves