There is something in the sound of drum and fife
That stirs all the savage instincts into life.
In the old times of peace we went our ways,
Through proper days
Of little joys and tasks. Lonely at times,
When from the steeple sounded wedding chimes,
Telling to all the world some maid was wife—
But taking patiently our part in life
the Chinaman said don’t take the hardware and gave me a steak I couldn’t cut (except the fat) and there was an ant circling the coffee cup; I left a dime tip and broke out a stick of cancer, and outside I gave an old bum who looked about the way I felt, I gave him a quarter, and then I went up to see the old man strong as steel girders, fit for bombers and blondes,
60 Her eye (I'm very fond of handsome eyes) Was large and dark, suppressing half its fire Until she spoke, then through its soft disguise Flash'd an expression more of pride than ire, And love than either; and there would arise A something in them which was not desire, But would have been, perhaps, but for the soul Which struggled through and chasten'd down the whole.
61 Her glossy hair was cluster'd o'er a brow Bright with intelligence, and fair, and smooth; Her eyebrow's shape was like the aerial bow, Her cheek all purple with the beam of youth,
When you get in on a try you never learn it back umpteen times the tenth part of a featured world in black and in back it’s roses and fostered nail bite rhyme sling slang, a song that teaches without travail of the tale, the one you longing live and singing burn
It’s insane to remain a trope, of a rinsing out or a ringing whatever, it’s those bells that . . .
My dog has died. I buried him in the garden next to a rusted old machine.
Some day I'll join him right there, but now he's gone with his shaggy coat, his bad manners and his cold nose, and I, the materialist, who never believed in any promised heaven in the sky
Ne Rubeam, Pingui donatus Munere (Horace, Epistles II.i.267) While you, great patron of mankind, sustain The balanc'd world, and open all the main; Your country, chief, in arms abroad defend, At home, with morals, arts, and laws amend;
—Was it for this That one, the fairest of all Rivers, lov'd To blend his murmurs with my Nurse's song, And from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flow'd along my dreams? For this, didst Thou, O Derwent! travelling over the green Plains Near my 'sweet Birthplace', didst thou, beauteous Stream
During the Second World War, I was going home one night along a street I seldom used. All the stores were closed except one—a small fruit store. An old Italian was inside to wait on customers. As I was paying him I saw that he was sad.
As the dead prey upon us, they are the dead in ourselves, awake, my sleeping ones, I cry out to you, disentangle the nets of being!
I pushed my car, it had been sitting so long unused. I thought the tires looked as though they only needed air. But suddenly the huge underbody was above me, and the rear tires were masses of rubber and thread variously clinging together
Openly, yes, With the naturalness Of the hippopotamus or the alligator When it climbs out on the bank to experience the
Sun, I do these Things which I do, which please No one but myself. Now I breathe and now I am sub- Merged; the blemishes stand up and shout when the object
In view was a Renaissance; shall I say The contrary? The sediment of the river which Encrusts my joints, makes me very gray but I am used
Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side.
The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods.
Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy and call it art. We were piloted by Auden who became Unbearably acrimonious when we dropped off Senghor into the steamy skies of his beloved West Africa. The termites and ants
You are a friend then, as I make it out, Of our man Shakespeare, who alone of us Will put an ass's head in Fairyland As he would add a shilling to more shillings, All most harmonious, — and out of his Miraculous inviolable increase Fills Ilion, Rome, or any town you like Of olden time with timeless Englishmen; And I must wonder what you think of him — All you down there where your small Avon flows By Stratford, and where you're an Alderman. Some, for a guess, would have him riding back To be a farrier there, or say a dyer; Or maybe one of your adept surveyors; Or like enough the wizard of all tanners.
In Rome on the Campo dei Fiori baskets of olives and lemons, cobbles spattered with wine and the wreckage of flowers. Vendors cover the trestles with rose-pink fish; armfuls of dark grapes heaped on peach-down.
What shall I do with this absurdity — O heart, O troubled heart — this caricature, Decrepit age that has been tied to me As to a dog's tail? Never had I more Excited, passionate, fantastical Imagination, nor an ear and eye
I have always aspired to a more spacious form that would be free from the claims of poetry or prose and would let us understand each other without exposing the author or reader to sublime agonies.
In the very essence of poetry there is something indecent: a thing is brought forth which we didn’t know we had in us, so we blink our eyes, as if a tiger had sprung out and stood in the light, lashing his tail.
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