for Vivian Schatz
Here, in our familiar streets, the day
 is brisk with winter’s business.
 The reassuring rows of brick façades,
 litter baskets overflowing
 with the harvest of the streets
 and, when the light turns, the people
 move in unison, the cars miraculously
 slide to a stop, no one is killed,
 the streets, for some reason, do not
 show the blood that is pouring
 like a tide, on other shores.
 Martinez, the last peasant left alive
 in his village, refuses to run, hopes
 that god, El Salvador,
 will let him get the harvest in.
 “Can a fish live out of water?” he says
 for why he stays, and weeds
 another row, ignoring the fins
 of sharks that push up
 through the furrows.
 Here, it is said, we live
 in the belly of the beast. Ahab sits
 forever at the helm, his skin
 white wax, an effigy. The whale carries
 him, lashed to its side by the ropes
 from his own harpoon. His eyes
 are dead. His ivory leg
 juts from the flank of Leviathan
 like a useless tooth.
 One more time, the distant sail appears,
 a cloud forms, an old icon for mercy
 turned up in a dusty corner
 of the sky, preparing rain
 for the parched land, Rachel
 weeping for her children. “Can a fish
 live out of water?” he asks
 and the rain answers, in Spanish,
 manitas de plata
 little hands of silver on his brow.





















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