Four white heifers with sprawling hooves
 trundle the waggon.
 Its ill-roped crates heavy with fruit sway.
 The chisel point of the goad, blue and white,
 glitters ahead,
 a flame to follow lance-high in a man’s hand
 who does not shave. His linen trousers
 like him want washing.
 You can see his baked skin through his shirt.
 He has no shoes and his hat has a hole in it.
 ‘Hu ! vaca ! Hu ! vaca !’
 he says staccato without raising his voice;
 ‘Adios caballero’ legato but
 in the same tone.
 Camelmen high on muzzled mounts
 boots rattling against the panels
 of an empty
 packsaddle do not answer strangers.
 Each with his train of seven or eight tied
 head to tail they
 pass silent but for the heavy bells
 and plip of slobber dripping from
 muzzle to dust;
 save that on sand their soles squeak slightly.
 Milkmaids, friendly girls between
 fourteen and twenty
 or younger, bolt upright on small
 trotting donkeys that bray (they arch their
 tails a few inches
 from the root, stretch neck and jaw forward
 to make the windpipe a trumpet)
 chatter. Jolted
 cans clatter. The girls’ smiles repeat
 the black silk curve of the wimple
 under the chin.
 Their hats are absurd doll’s hats
 or flat-crowned to take a load.
 All have fine eyes.
 You can guess their balanced nakedness
 under the cotton gown and thin shift.
 They sing and laugh.
 They say ‘Adios!’ shyly but look back
 more than once, knowing our thoughts
 and sharing our
 desires and lack of faith in desire.

















Comment form: