The Garlic

I. PULSE

Light over the Hudson recovers a Caribbean I have
never seen.
We list islands: Molokai, Oahu, Kauai; St. Lucia,
Haiti….
The surf folds tunnels of light
while a hand folds over a wrist (tell-tale pulse),
counting. The long tunnel is a wrist of blown spume.

It is like a dance, I think, this silence full of questions.
Pulse-beat; pulse-beat. Pulse. Pulse.

I push my hair back into the memories of palm trees,

Gay little Girl-of-the-Diving-Tank,
I desire a name for you,
Nice, as a right glove fits;
For you—who amid the malodorous
Mechanics of this unlovely thing,
Are darling of spirit and form.
I know you—a glance, and what you are
Sits-by-the-fire in my heart.

Now as the farmer sits at his accounts
Reviewing fleeces neath deciduous beeches
And notes in red contented ink
Net profits of his quite impossible serenity;
As graded apples marketably beautiful
Into the bushel-baskets sink
And trussed hay to the tin roof reaches,
And where red tiles through darkening trees are reared

for Charles Morice Music first and foremost! In your verse,
Choose those meters odd of syllable,

Just over the horizon a great machine of death is roaring and rearing.
We can hear it always. Earthquake, starvation, the ever-renewing sump of corpse-flesh.
But in this valley the snow falls silently all day, and out our window
We see the curtain of it shifting and folding, hiding us away in our little house,
We see earth smoothened and beautified, made like a fantasy, the snow-clad trees
So graceful. In our new bed, which is big enough to seem like the north pasture almost
With our two cats, Cooker and Smudgins, lying undisturbed in the southeastern and southwestern corners,
We lie loving and warm, looking out from time to time. “Snowbound,” we say. We speak of the poet