The Measure

My mother’s mother, toughened by the farm,
hardened by infants’ burials, used a knife
and swung an axe as if her woman’s arm
wielded a man’s hard will. Inured to life
and death alike, “What ails you now?” she’d say
ungently to the sick. She fed them, too,
roughly but well, and took the blood away—
and washed the dead, if there was that to do.

(JUTLAND)

1916 Not in the thick of the fight,
Not in the press of the odds,
Do the heroes come to their height,
Or we know the demi-gods.

LOQUITUR: En Betrans de Born.
Dante Alighieri put this man in hell for that he was a stirrer-up of strife.
Eccovi!
Judge ye!
Have I dug him up again?

The scene is his castle, Altaforte. “Papiols” is his jongleur. “The
Leopard,” the device of Richard (Cœur de Lion).

I

Damn it all! all this our South stinks peace.
You whoreson dog, Papiols, come! Let’s to music!
I have no life save when the swords clash.
But ah! when I see the standards gold, vair, purple, opposing

The day was cloudy. No one could come to a decision;
a light wind was blowing. ‘Not a north-easter, the sirocco,’ someone said.
A few slender cypresses nailed to the slope, and, beyond, the sea
grey with shining pools.
The soldiers presented arms as it began to drizzle.
‘Not a north-easter, the sirocco,’ was the only decision heard.
And yet we knew that by the following dawn
nothing would be left to us, neither the woman drinking sleep at our side

Cervantes was asleep when he wrote Don Quixote.
Joyce slept during the Wandering Rocks section of Ulysses.
Homer nodded and occasionally slept during the greater part of the Iliad; he was awake however when he wrote the Odyssey.
Proust snored his way through The Captive, as have legions of his readers after him.
Melville was asleep at the wheel for much of Moby-Dick.
Fitzgerald slept through Tender Is the Night, which is perhaps not so surprising,
but the fact that Mann slumbered on the very slopes of The Magic Mountain is quite extraordinary—that he wrote it, even more so.
Kafka, of course, never slept, even while not writing or on bank holidays.

I

Jesús, Estrella, Esperanza, Mercy:

Sails flashing to the wind like weapons,
sharks following the moans the fever and the dying;
horror the corposant and compass rose.

Middle Passage:
voyage through death
to life upon these shores.

My gentle friend! I hold no creed so false
As that which dares to teach that we are born
For battle only, and that in this life
The soul, if it would burn with starlike power,
Must needs forsooth be kindled by the sparks
Struck from the shock of clashing human hearts.
There is a wisdom that grows up in strife,
And one—I like it best—that sits at home

The rain’s cold grains are silver-gray
Sharp as golden sands,
A bell is clanging, people sway
Hanging by their hands.

Supple hands, or gnarled and stiff,
Snatch and catch and grope;
That face is yellow-pale, as if
The fellow swung from rope.

Dull like pebbles, sharp like knives,
Glances strike and glare,
Fingers tangle, Bluebeard’s wives
Dangle by the hair.

Miami Beach: wartime Imagine or remember how the road at last led us
Over bridges like prepositions, linking a drawl of islands.