the snow is melting

On village green whose smooth and well-worn sod,
Cross pathed, with many a gossip’s foot is trod;
By cottage door where playful children run,
And cats and curs sit basking in the sun;
Where o’er an earthen seat the thorn is bent,
Cross-armed and back to wall poor William leant
His bonnet all awry, his gathered brow,
His hanging lip and lengthened visage show
A mind but ill at ease. With motions strange
His listless limbs their wayward postures change;
While many a crooked line and curious maze
With clouted shoon he on the sand portrays.
At length the half-chewed straw fell from his mouth,
And to himself low spoke the moody youth.

Here at the seashore they use the clouds over & over
again, like the rented animals in Aïda.
In the late morning the land breeze
turns and now the extras are driving
all the white elephants the other way.
What language are these children shouting in?
He is lying on the beach listening.

The sand knocks like glass, struck by bare heels.

Perhaps, when we the strangers in the bar’s blue light
turn liberal, you’d claim fraternity
or clan and say Detroit is turned American
by the community of appetite.

There was this hurried time of fear of the last bell,
our sure prognostication it would be
somber so soon to face a sky of December
that impended on the light blue snow swell,

I grieve and dare not show my discontent,
I love and yet am forced to seem to hate,
I do, yet dare not say I ever meant,
I seem stark mute but inwardly do prate.
I am and not, I freeze and yet am burned,
Since from myself another self I turned.

My care is like my shadow in the sun,
Follows me flying, flies when I pursue it,

Slow, slow, fresh fount, keep time with my salt tears;
Yet slower, yet, O faintly, gentle springs!
List to the heavy part the music bears,
Woe weeps out her division, when she sings.
Droop herbs and flowers;
Fall grief in showers;
Our beauties are not ours.
O, I could still,

When ’midst the gay I meet
That gentle smile of thine,
Though still on me it turns most sweet,
I scarce can call it mine:
But when to me alone
Your secret tears you show,
Oh, then I feel those tears my own,
And claim them while they flow.
Then still with bright looks bless
The gay, the cold, the free;
Give smiles to those who love you less,
But keep your tears for me.

The snow on Jura’s steep
Can smile in many a beam,

in our village are short and to the point.
While the mourners are finding their seats
Etta Andrews plays “Now the Day Is Over.”
No one is ashamed to wipe his or her eyes.
Then the Reverend stands up and reads
the Lord’s Prayer with the mourners
speaking it with him. Then there is a hymn,
usually “Rock of Ages” or one chosen by

Somewhat back from the village street
Stands the old-fashioned country-seat.
Across its antique portico
Tall poplar-trees their shadows throw;
And from its station in the hall
An ancient timepiece says to all, —
"Forever — never!
Never — forever!"

Half-way up the stairs it stands,
And points and beckons with its hands
From its case of massive oak,
Like a monk, who, under his cloak,
Crosses himself, and sighs, alas!
With sorrowful voice to all who pass, —

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.