AN ANATOMY OF THE WORLD Wherein, by occasion of the untimely death of Mistress Elizabeth Drury, the frailty and the decay of this whole world is represented THE FIRST ANNIVERSARY When that rich soul which to her heaven is gone, Whom all do celebrate, who know they have one (For who is sure he hath a soul, unless It see, and judge, and follow worthiness,
'There it is!– You play beside a death-bed like a child, Yet measure to yourself a prophet's place To teach the living. None of all these things, Can women understand. You generalise, Oh, nothing!–not even grief! Your quick-breathed hearts, So sympathetic to the personal pang,
Why did my parents send me to the schools That I with knowledge might enrich my mind? Since the desire to know first made men fools, And did corrupt the root of all mankind.
(from As You Like It, spoken by Jaques)
All the world’s a stage,
And all the men and women merely players;
They have their exits and their entrances;
And one man in his time plays many parts,
His acts being seven ages. At first the infant,
Mewling and puking in the nurse’s arms; And then the whining school-boy, with his satchel
Mildest of all the powers of earth: no lightnings For her—maniacal in the clouds. No need for Signs with their skull and crossbones, chain-link gates: Danger! Keep Out! High Gravity! she’s friendlier. Won’t nurse—unlike the magnetic powers—repugnance; Would reconcile, draw close: her passion’s love.
No terrors lurking in her depths, like those Bound in that buzzing strongbox of the atom,
Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.
Kind pity chokes my spleen; brave scorn forbids Those tears to issue which swell my eyelids; I must not laugh, nor weep sins and be wise; Can railing, then, cure these worn maladies? Is not our mistress, fair Religion, As worthy of all our souls' devotion As virtue was in the first blinded age? Are not heaven's joys as valiant to assuage Lusts, as earth's honour was to them? Alas, As we do them in means, shall they surpass Us in the end? and shall thy father's spirit Meet blind philosophers in heaven, whose merit Of strict life may be imputed faith, and hear Thee, whom he taught so easy ways and near To follow, damn'd? Oh, if thou dar'st, fear this;
NO more of talk where God or Angel Guest With Man, as with his Friend, familiar us'd To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse unblam'd: I now must change Those Notes to Tragic; foul distrust, and breach Disloyal on the part of Man, revolt, And disobedience: On the part of Heav'n
How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose.
When I remember plain heroic strength And shining virtue shown by Ypres pools, Then read the blither written by knaves for fools In praise of English soldiers lying at length, Who purely dream what England shall be made Gloriously new, free of the old stains By us, who pay the price that must be paid, Will freeze all winter over Ypres plains. Our silly dreams of peace you put aside And brotherhood of man, for you will see An armed mistress, braggart of the tide, Her children slaves, under your mastery. We'll have a word there too, and forge a knife, Will cut the cancer threatens England's life.
Sixty-two, sixty-three, I most remember As time W. C. Williams dies and we are Back from a hard two years in Guatemala Where the meager provision of being Schoolmaster for the kids of the patrones Of two coffee plantations has managed Neither a life nor money. Leslie dies in Horror of bank giving way as she and her
When I was fair and young, then favor graced me. Of many was I sought their mistress for to be. But I did scorn them all and answered them therefore: Go, go, go, seek some other where; importune me no more.
How many weeping eyes I made to pine in woe, How many sighing hearts I have not skill to show, But I the prouder grew and still this spake therefore: Go, go, go, seek some other where, importune me no more.
Act 2, Scene 2 Clindor, a young picaresque hero, has been living by his wits in Paris, but has now drifted to Bordeaux, to become the valet of a braggart bravo named Matamore. He is chiefly employed as a go-between, carrying Matamore's amorous messages to the beautiful Isabelle—who only suffers the master because she is in love with the messenger. clindor Sir, why so restless? Is there any need, With all your fame, for one more glorious deed? Have you not slain enough bold foes by now,
A woman’s face with nature’s own hand painted Hast thou, the master-mistress of my passion; A woman’s gentle heart, but not acquainted With shifting change as is false women’s fashion; An eye more bright than theirs, less false in rolling, Gilding the object whereupon it gazeth; A man in hue, all hues in his controlling, Which steals men’s eyes and women’s souls amazeth.
Come buy my fine wares, Plums, apples and pears. A hundred a penny, In conscience too many: Come, will you have any? My children are seven, I wish them in Heaven; My husband’s a sot, With his pipe and his pot, Not a farthen will gain them, And I must maintain them.
I scarce believe my love to be so pure As I had thought it was, Because it doth endure Vicissitude, and season, as the grass; Methinks I lied all winter, when I swore My love was infinite, if spring make’ it more.
But if medicine, love, which cures all sorrow With more, not only be no quintessence, But mixed of all stuffs paining soul or sense, And of the sun his working vigor borrow, Love’s not so pure, and abstract, as they use To say, which have no mistress but their muse, But as all else, being elemented too, Love sometimes would contemplate, sometimes do.
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