Ay me, to whom shall I my case complain, That may compassion my impatient grief? Or where shall I unfold my inward pain, That my enriven heart may find relief? Shall I unto the heavenly pow’rs it show, Or unto earthly men that dwell below?
To heavens? Ah, they, alas, the authors were, And workers of my unremedied woe: For they foresee what to us happens here, And they foresaw, yet suffered this be so. From them comes good, from them comes also ill, That which they made, who can them warn to spill.
NO more of talk where God or Angel Guest With Man, as with his Friend, familiar us'd To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse unblam'd: I now must change Those Notes to Tragic; foul distrust, and breach Disloyal on the part of Man, revolt, And disobedience: On the part of Heav'n
Under the separated leaves of shade Of the gingko, that old tree That has existed essentially unchanged Longer than any other living tree, I walk behind a woman. Her hair's coarse gold Is spun from the sunlight that it rides upon. Women were paid to knit from sweet champagne Her second skin: it winds and unwinds, winds
I have led her home, my love, my only friend, There is none like her, none. And never yet so warmly ran my blood And sweetly, on and on Calming itself to the long-wished-for end, Full to the banks, close on the promised good.
None like her, none. Just now the dry-tongued laurels’ pattering talk Seem’d her light foot along the garden walk, And shook my heart to think she comes once more; But even then I heard her close the door, The gates of Heaven are closed, and she is gone.
PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud.
(excerpt) On Hellespont, guilty of true love's blood, In view and opposite two cities stood, Sea-borderers, disjoin'd by Neptune's might; The one Abydos, the other Sestos hight.
Dagonet, the fool, whom Gawain in his mood Had made mock-knight of Arthur's Table Round, At Camelot, high above the yellowing woods, Danced like a wither'd leaf before the hall. And toward him from the hall, with harp in hand, And from the crown thereof a carcanet Of ruby swaying to and fro, the prize Of Tristram in the jousts of yesterday, Came Tristram, saying, "Why skip ye so, Sir Fool?"
For Arthur and Sir Lancelot riding once Far down beneath a winding wall of rock Heard a child wail. A stump of oak half-dead. From roots like some black coil of carven snakes, Clutch'd at the crag, and started thro' mid air
CALM was the day, and through the trembling air Sweet breathing Zephyrus did softly play, A gentle spirit, that lightly did delay Hot Titan's beams, which then did glister fair; When I whose sullen care, Through discontent of my long fruitless stay In prince's court, and expectation vain Of idle hopes, which still do fly away Like empty shadows, did afflict my brain, Walked forth to ease my pain Along the shore of silver streaming Thames, Whose rutty bank, the which his river hems, Was painted all with variable flowers, And all the meads adorned with dainty gems, Fit to deck maidens' bowers,
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