Clarice, the Swiss Appraiser, paces our rooms, listing furnishings on her yellow legal pad with a Waterman pen, a microcamera. Although I've asked why we have to do this, I forgot the answer.
The answer to why is because, inscrutable, outside of logic, helpless, useless because. Wing chairs, a deco lamp, my mother's cherry dining table—nothing we both loved using looks tragic.
Most nights now I sit in the den reading the colorful spines of your art books, Fra Angelico to Zurburan, volume after volume
I am thirty this November. You are still small, in your fourth year. We stand watching the yellow leaves go queer, flapping in the winter rain, falling flat and washed. And I remember mostly the three autumns you did not live here. They said I’d never get you back again.
The black kitten cries at her bowl meek meek and the gray one glowers from the windowsill. My hand on the can to serve them. First day of spring. Yesterday I drove my little mother for hours through wet snow. Her eightieth birthday. What she wanted was that ride with me— shopping, gossiping, mulling old grievances,
Act 2, Scene 2 Clindor, a young picaresque hero, has been living by his wits in Paris, but has now drifted to Bordeaux, to become the valet of a braggart bravo named Matamore. He is chiefly employed as a go-between, carrying Matamore's amorous messages to the beautiful Isabelle—who only suffers the master because she is in love with the messenger. clindor Sir, why so restless? Is there any need, With all your fame, for one more glorious deed? Have you not slain enough bold foes by now,
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