Spring

I have seen them flash among cars or lean
so low into the curved wrist of the road
to brake would kill them, yet a whole pack
will stand for hours in the rain

yoked to each other, chained to the rack
till the shops close. I have seen
them balanced on one foot like a clam,
the front wheel turned, at ease. It waits

Who gave us flowers?
Heaven? The white God?

Nonsense!
Up out of hell,
From Hades;
Infernal Dis!

Jesus the god of flowers—?
Not he.

O sweet spontaneous
earth how often have
the
doting

fingers of
prurient philosophers pinched
and
poked

The rain, in the backyard where I watch it fall, comes down at different 
rates. In the center a fine discontinuous curtain — or network — falls implacably and yet gently in drops that are probably quite light; a strengthless sempiternal precipitation, an intense fraction of the atmosphere at its purest. A little distance from the walls to the right and left plunk heavier drops, one by one. Here they seem about the size of grains of wheat, the size of a pea, while elsewhere they are big as marbles. Along gutters and window frames the rain runs horizontally, while depending from the same obstacles it hangs like individually wrapped candies. Along the entire surface of a little zinc roof under my eyes it trickles in a very thin sheet, a moiré pattern formed by the varying currents created by the imperceptible bumps and undulations of the surface. From the gutter it flows with the restraint of a shallow creek until it tumbles out into a perfectly vertical net, rather imperfectly braided, all the way to the ground where it breaks and sparkles into brilliant needles.

Each of its forms has its particular allure and corresponds to a particular patter. Together they share the intensity of a complex mechanism 
as precise as it is dangerous, like a steam-powered clock whose spring is wound by the force of the precipitation.

The ringing on the ground of the vertical trickles, the glug-glug of the gutters, the miniscule strikes of the gong multiply and resonate all at once in a concert without monotony, and not without a certain delicacy.

Once the spring unwinds itself certain wheels go on turning for a while, more and more slowly, until the whole mechanism comes to a stop. It all vanishes with the sun: when it finally reappears, the brilliant apparatus evaporates. It has rained.
Translated from the French

i

For Laurita, my sister’s friend

The moon is dead dead
— it will come back to life in the spring

when a south wind
ruffles the brow of the poplars

when our hearts yield their harvest of sighs

Soldier from the wars returning,
Spoiler of the taken town,
Here is ease that asks not earning;
Turn you in and sit you down.

Peace is come and wars are over,
Welcome you and welcome all,
While the charger crops the clover
And his bridle hangs in stall.

And have we done with War at last? Well, we've been lucky devils both, And there's no need of pledge or oath

When men are old, and their friends die,
They are not so sad,
Because their love is running slow,
And cannot spring from the wound with so sharp a pain;
And they are happy with many memories,
And only a little while to be alone.
But we are young, and our friends are dead
Suddenly, and our quick love is torn in two;
So our memories are only hopes that came to nothing.
We are left alone like old men; we should be dead
But there are years and years in which we will still be young.

I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air—
I have a rendezvous with Death
When Spring brings back blue days and fair.

It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath—
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year

I feel the spring far off, far off,
The faint, far scent of bud and leaf—
Oh, how can spring take heart to come
To a world in grief,
Deep grief?

The sun turns north, the days grow long,
Later the evening star grows bright—
How can the daylight linger on
For men to fight,
Still fight?

The grass is waking in the ground,
Soon it will rise and blow in waves—
How can it have the heart to sway

Some day, I think, there will be people enough
In Froxfield to pick all the blackberries
Out of the hedges of Green Lane, the straight
Broad lane where now September hides herself
In bracken and blackberry, harebell and dwarf gorse.
Today, where yesterday a hundred sheep
Were nibbling, halcyon bells shake to the sway
Of waters that no vessel ever sailed ...
It is a kind of spring: the chaffinch tries
His song. For heat it is like summer too.
This might be winter’s quiet. While the glint
Of hollies dark in the swollen hedges lasts—
One mile—and those bells ring, little I know
Or heed if time be still the same, until
The lane ends and once more all is the same.

Falling leaves and falling men!
When the snows of winter fall,
And the winds of winter blows,
Will be woven Nature’s pall.

Let us, then, forsake our dead;
For the dead will surely wait
While we rush upon the foe,
Eager for the hero’s fate.

Leaves will come upon the trees;
Spring will show the happy race;
Mothers will give birth to sons—
Loyal souls to fill our place.

Out the window of the bar I’m watching
a circle of girls stretching and yawning
across the street. It’s late January and 74
degrees. They love the heat because
they are a moist heat. Heat loves
heat and today is a tease for what comes
with spring around here when the glorious birds
funnel back up from Mexico. The girls
don’t care about birds because they are birds.
I recall in high school a half dozen
cheerleaders resting on a wrestling mat
in short shorts in the gym, me beside them
with a silly groin ache. What were they?
Living, lovely, warm meat as we all are
reaching out of our bodies for someone else.

Your name is a—bird in my hand,
a piece of ice on my tongue.
The lips’ quick opening.
Your name—four letters.
A ball caught in flight,
a silver bell in my mouth.

A stone thrown into a silent lake
is—the sound of your name.

The last full moon of February stalks the fields; barbed wire casts a shadow.
Rising slowly, a beam moved toward the west
stealthily changing position

until now, in the small hours, across the snow

For part of one strange year we lived
in a small house at the edge of a wood.
No neighbors, which suited us. Nobody
to ask questions. Except
for the one big question we went on
asking ourselves.
That spring
myriads of birds stopped over

I. Le Bonheur

dogwood flakes
what is green

the petals
from the apple
blow on the road

mourning doves
mark the sway

You asked me once,
on our way back
from the midmorning
trip to the spring:
“What do you hate,
and who do you love?”

And I answered,
from behind the eyelashes

The trade-wind jingles the rings in the nets around the racksby the docks on Indian River.
It is the same jingle of the water among roots under thebanks of the palmettoes,
It is the same jingle of the red-bird breasting the orange-treesout of the cedars.
Yet there is no spring in Florida, neither in boskage perdu, noron the nunnery beaches.

Grieve not that winter masks the yet quick earth,
Nor still that summer walks the hills no more;
That fickle spring has doffed the plaid she wore
To swathe herself in napkins till rebirth.

These buddings, flowerings, are nothing worth;
This ermine cloud stretched firm across the lakes
Will presently be shattered into flakes;
Then, starveling world, be subject to my mirth.

I know that faithful swift mortality
Subscribes to nothing longer than a day;
All beauty signals imminent decay;
And painted wreckage cumbers land and sea.

I had not thought of violets late,
The wild, shy kind that spring beneath your feet
In wistful April days, when lovers mate
And wander through the fields in raptures sweet.
The thought of violets meant florists' shops,
And bows and pins, and perfumed papers fine;
And garish lights, and mincing little fops
And cabarets and soaps, and deadening wines.
So far from sweet real things my thoughts had strayed,
I had forgot wide fields; and clear brown streams;
The perfect loveliness that God has made,—
Wild violets shy and Heaven-mounting dreams.
And now—unwittingly, you've made me dream
Of violets, and my soul's forgotten gleam.

High at the window in her cage
The old canary flits and sings,
Nor sees across the curtain pass
The shadow of a swallow’s wings.

A poor deceit and copy, this,
Of larger lives that mark their span,
Unreckoning of wider worlds
Or gifts that Heaven keeps for man.

She gathers piteous bits and shreds,
This solitary, mateless thing,
To patient build again the nest
So rudely scattered spring by spring;

from Sonnets, Second Series

XVIII

And Change, with hurried hand, has swept these scenes:
The woods have fallen; across the meadow-lot
The hunter’s trail and trap-path is forgot;
And fire has drunk the swamps of evergreens!

The day was cloudy. No one could come to a decision;
a light wind was blowing. ‘Not a north-easter, the sirocco,’ someone said.
A few slender cypresses nailed to the slope, and, beyond, the sea
grey with shining pools.
The soldiers presented arms as it began to drizzle.
‘Not a north-easter, the sirocco,’ was the only decision heard.
And yet we knew that by the following dawn
nothing would be left to us, neither the woman drinking sleep at our side

Again with spring
she wore light colours
and with gentle steps
again with spring
again in summer
she was smiling.

Among fresh blossoms
breast naked to the veins

—and he cried with a loud voice:
Hurt not the earth, neither the sea, nor the trees—
(Revelation) They are cutting down the great plane-trees at the end of the gardens.

From Michigan our son writes, How many elk?
How many big horn sheep? It's spring,
and soon they'll be gone above timberline,

climbing to tundra by summer. Some boys
are born to wander, my wife says, but rocky slopes
with spruce and Douglas fir are home.

He tried the navy, the marines, but even the army
wouldn't take him, not with a foot like that.

I sit where I always sit, in back of the Buddha,
Red leather wing chair, pony skin trunk
under my feet,
Sky light above me, Chinese and Indian rugs on the floor.
1 March, 1998, where to begin again?

Over there's the ur-photograph,
Giorgio Morandi, glasses pushed up on his forehead,
Looking hard at four objects—
Two olive oil tins, one wine bottle, one flower vase,
A universe of form and structure,

The universe constricting in front of his eyes,
angelic orders
And applications scraped down

Fresh spring the herald of loves mighty king,
In whose cote armour richly are displayed
All sorts of flowers the which on earth do spring
In goodly colours gloriously arrayd:
Goe to my love, where she is carelesse layd,
Yet in her winters bowre not well awake:
Tell her the joyous time wil not be staid
Unless she doe him by the forelock take.

anyone lived in a pretty how town
(with up so floating many bells down)
spring summer autumn winter
he sang his didn’t he danced his did.

Women and men(both little and small)
cared for anyone not at all
they sowed their isn’t they reaped their same
sun moon stars rain

And is it stamina
that unseasonably freaks
forth a bluet, a
Quaker lady, by
the lake? So small,
a drop of sky that
splashed and held,
four-petaled, creamy

How fresh, oh Lord, how sweet and clean
Are thy returns! even as the flowers in spring;
To which, besides their own demean,
The late-past frosts tributes of pleasure bring.
Grief melts away
Like snow in May,
As if there were no such cold thing.

Who would have thought my shriveled heart
Could have recovered greenness? It was gone
Quite underground; as flowers depart
To see their mother-root, when they have blown,
Where they together
All the hard weather,
Dead to the world, keep house unknown.

*
In the shape of a submarine
frost lengthens on a window.
Outside, winter sparrows perch
in rhinoceros-colored trees.
Mare's tails chase whitely
past brick chimneys.
I have seen those lights before,

Not that the pines were darker there,
nor mid-May dogwood brighter there,
nor swifts more swift in summer air;
it was my own country,

having its thunderclap of spring,
its long midsummer ripening,
its corn hoar-stiff at harvesting,
almost like any country,

Love lives beyond
The tomb, the earth, which fades like dew—
I love the fond,
The faithful, and the true

Love lives in sleep,
'Tis happiness of healthy dreams
Eve’s dews may weep,
But love delightful seems.

'Tis seen in flowers,
And in the even's pearly dew
On earth's green hours,
And in the heaven's eternal blue.

I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grass;
Methinks I lied all winter, when I swore
My love was infinite, if spring make’ it more.

But if medicine, love, which cures all sorrow
With more, not only be no quintessence,
But mixed of all stuffs paining soul or sense,
And of the sun his working vigor borrow,
Love’s not so pure, and abstract, as they use
To say, which have no mistress but their muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do.

The passions that we fought with and subdued
Never quite die. In some maimed serpent’s coil
They lurk, ready to spring and vindicate
That power was once our torture and our lord.

A ward, and still in bonds, one day
I stole abroad;
It was high spring, and all the way
Primrosed and hung with shade;
Yet was it frost within,
And surly winds
Blasted my infant buds, and sin
Like clouds eclipsed my mind.

When tunes jigged nimbler than the blood
And quick and high the bows would prance
And every fiddle string would burst
To catch what’s lost beyond the string,
While half afraid their children stood,
I saw the old come out to dance.
The heart is not so light at first,
But heavy like a bough in spring.

(fromAs You Like It) It was a lover and his lass,
With a hey, and a ho, and a hey nonino,
That o’er the green cornfield did pass,
In springtime, the only pretty ring time,

Spring, the sweet spring, is the year’s pleasant king,
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing:
Cuckoo, jug-jug, pu-we, to-witta-woo!

The palm and may make country houses gay,
Lambs frisk and play, the shepherds pipe all day,
And we hear aye birds tune this merry lay:
Cuckoo, jug-jug, pu-we, to-witta-woo!

The fields breathe sweet, the daisies kiss our feet,
Young lovers meet, old wives a-sunning sit,
In every street these tunes our ears do greet:
Cuckoo, jug-jug, pu-we, to witta-woo!
Spring, the sweet spring!

Facing the wind of the avenues
one spring evening in New York,
I wore under my thin jacket
a sweater given me by the wife
of a genial Manchurian.

The warmth in that sweater changed
the indifferent city block by block.
The buildings were mountains

(Kyoto) CONFIDENCE
(after Bashō)

In this little urn is laid
Prudence Baldwin, once my maid,
From whose happy spark here let
Spring the purple violet.

The well rising without sound,
the spring on a hillside,
the plowshare brimming through deep ground
everywhere in the field—

The sharp swallows in their swerve
flaring and hesitating
hunting for the final curve
coming closer and closer—

The Moon's a little prairie-dog.
He shivers through the night.
He sits upon his hill and cries
For fear that I will bite.

The Sun's a broncho.He's afraid
Like every other thing,
And trembles morning, noon and night
Lest I should spring and sting.

Why do you subdue yourself in golds and purples?
Why do you dim yourself with folded silks?
Do you not see that I can buy brocades in any draper’s shop,
And that I am choked in the twilight of all these colors.
How pale you would be, and startling—
How quiet;
But your curves would spring upward
Like a clear jet of flung water,

The thistledown's flying, though the winds are all still,
On the green grass now lying, now mounting the hill,
The spring from the fountain now boils like a pot;
Through stones past the counting it bubbles red-hot.

The ground parched and cracked is like overbaked bread,
The greensward all wracked is, bents dried up and dead.
The fallow fields glitter like water indeed,

A fool I was to sleep at noon,
And wake when night is chilly
Beneath the comfortless cold moon;
A fool to pluck my rose too soon,
A fool to snap my lily.

My garden-plot I have not kept;
Faded and all-forsaken,

He could not die when trees were green,
For he loved the time too well.
His little hands, when flowers were seen,
Were held for the bluebell,
As he was carried o'er the green.

His eye glanced at the white-nosed bee;
He knew those children of the spring:
When he was well and on the lea
He held one in his hands to sing,
Which filled his heart with glee.

Infants, the children of the spring!
How can an infant die
When butterflies are on the wing,

Earth rais'd up her head,
From the darkness dread & drear.
Her light fled:
Stony dread!
And her locks cover'd with grey despair.

Prison'd on watry shore
Starry Jealousy does keep my den
Cold and hoar
Weeping o'er
I hear the Father of the ancient men

Selfish father of men
Cruel, jealous, selfish fear
Can delight

This spring as it comes bursts up in bonfires green,
Wild puffing of emerald trees, and flame-filled bushes,
Thorn-blossom lifting in wreaths of smoke between
Where the wood fumes up and the watery, flickering rushes.

I am amazed at this spring, this conflagration
Of green fires lit on the soil of the earth, this blaze
Of growing, and sparks that puff in wild gyration,
Faces of people streaming across my gaze.

And I, what fountain of fire am I among
This leaping combustion of spring? My spirit is tossed
About like a shadow buffeted in the throng
Of flames, a shadow that's gone astray, and is lost.

This little vault, this narrow room,
Of Love, and Beauty, is the tomb;
The dawning beam that gan to clear
Our clouded sky, lies darken'd here,
Forever set to us, by death
Sent to inflame the world beneath.
'Twas but a bud, yet did contain
More sweetness than shall spring again;
A budding star that might have grown
Into a sun, when it had blown.
This hopeful beauty did create
New life in Love's declining state;
But now his empire ends, and we
From fire and wounding darts are free;
His brand, his bow, let no man fear,

Who are you, reader, reading my poems an hundred years hence?
I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds.
Open your doors and look abroad.

From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before.
In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across an hundred years.

Four Seasons fill the measure of the year;
There are four seasons in the mind of man:
He has his lusty Spring, when fancy clear
Takes in all beauty with an easy span:
He has his Summer, when luxuriously
Spring's honied cud of youthful thought he loves
To ruminate, and by such dreaming high
Is nearest unto heaven: quiet coves
His soul has in its Autumn, when his wings
He furleth close; contented so to look
On mists in idleness—to let fair things
Pass by unheeded as a threshold brook.
He has his Winter too of pale misfeature,
Or else he would forego his mortal nature.

"Heaven bless the babe," they said.
"What queer books she must have read!"
(Love, by whom I was beguiled,
Grant I may not bear a child!)

"Little does she guess today
What the world may be," they say.
(Snow, drift deep and cover
Till the spring my murdered lover!)

in Just-
spring when the world is mud-
luscious the little
lame balloonman

whistles far and wee

and eddieandbill come
running from marbles and
piracies and it's
spring

when the world is puddle-wonderful

the queer

Swallow, my sister, O sister swallow,
How can thine heart be full of the spring?
A thousand summers are over and dead.
What hast thou found in the spring to follow?
What hast thou found in thine heart to sing?
What wilt thou do when the summer is shed?

O swallow, sister, O fair swift swallow,
Why wilt thou fly after spring to the south,
The soft south whither thine heart is set?
Shall not the grief of the old time follow?
Shall not the song thereof cleave to thy mouth?
Hast thou forgotten ere I forget?

Sister, my sister, O fleet sweet swallow,

Where is the grave of Sir Arthur O'Kellyn?
Where may the grave of that good man be?—
By the side of a spring, on the breast of Helvellyn,
Under the twigs of a young birch tree!
The oak that in summer was sweet to hear,
And rustled its leaves in the fall of the year,
And whistled and roared in the winter alone,
Is gone,—and the birch in its stead is grown.—
The Knight's bones are dust,
And his good sword rust;—
His soul is with the saints, I trust.

O world! O life! O time!
On whose last steps I climb,
Trembling at that where I had stood before;
When will return the glory of your prime?
No more—Oh, never more!

Out of the day and night
A joy has taken flight;

Strephon kissed me in the spring,
Robin in the fall,
But Colin only looked at me
And never kissed at all.

Strephon's kiss was lost in jest,
Robin's lost in play,
But the kiss in Colin's eyes

Lo! where the rosy-bosom'd Hours,
Fair Venus' train appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,
Responsive to the cuckoo's note,
The untaught harmony of spring:
While whisp'ring pleasure as they fly,

There is a singer everyone has heard,
Loud, a mid-summer and a mid-wood bird,
Who makes the solid tree trunks sound again.
He says that leaves are old and that for flowers
Mid-summer is to spring as one to ten.
He says the early petal-fall is past
When pear and cherry bloom went down in showers
On sunny days a moment overcast;
And comes that other fall we name the fall.
He says the highway dust is over all.
The bird would cease and be as other birds
But that he knows in singing not to sing.
The question that he frames in all but words
Is what to make of a diminished thing.

Maurice, weep not, I am not here under this pine tree.
The balmy air of spring whispers through the sweet grass,
The stars sparkle, the whippoorwill calls,
But thou grievest, while my soul lies rapturous
In the blest Nirvana of eternal light!
Go to the good heart that is my husband,
Who broods upon what he calls our guilty love: i
Tell him that my love for you, no less than my love for him
Wrought out my destiny i that through the flesh
I won spirit, and through spirit, peace.
There is no marriage in heaven,
But there is love.

Ask not the cause why sullen spring
So long delays her flow'rs to bear;
Why warbling birds forget to sing,
And winter storms invert the year?
Chloris is gone; and Fate provides
To make it spring where she resides.

Chloris is gone, the cruel fair;

The red eyes of rabbits
aren't sad. No one passes
the sad golden village in a barge
any more. The sunset
will leave it alone. If the
curtains hang askew
it is no one's fault.
Around and around and around

Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky;
The dew shall weep thy fall to-night,
For thou must die.

Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,

When the earth is turned in spring
The worms are fat as anything.

And birds come flying all around
To eat the worms right off the ground.

They like the worms just as much as I
Like bread and milk and apple pie.

And once, when I was very young,
I put a worm right on my tongue.

Han-Shan sits on a flat stone
In his garden and plays the flute,
Mimicking the birds singing among
The gourd vines or from the top
Of the blue pine tree.

Or he constructs a new trellis
For the rambling rose over his front

George Borrow in his Lavengro
Tells us of a Welshman, who
By some excess of mother-wit
Framed a harp and played on it,
Built a ship and sailed to sea,
And steered it home to melody
Of his own making. I, indeed,
Might write for Everyman to read