Silver

St. Agnes' Eve—Ah, bitter chill it was!
The owl, for all his feathers, was a-cold;
The hare limp'd trembling through the frozen grass,
And silent was the flock in woolly fold:
Numb were the Beadsman's fingers, while he told
His rosary, and while his frosted breath,
Like pious incense from a censer old,
Seem'd taking flight for heaven, without a death,
Past the sweet Virgin's picture, while his prayer he saith.

His prayer he saith, this patient, holy man;
Then takes his lamp, and riseth from his knees,
And back returneth, meagre, barefoot, wan,
Along the chapel aisle by slow degrees:
The sculptur'd dead, on each side, seem to freeze,

Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.

‘Thrice fairer than myself,’ thus she began,

I Red Slippers

Red slippers in a shop-window, and outside in the street, flaws of grey, windy sleet!

Behind the polished glass, the slippers hang in long threads of red, festooning from the ceiling like stalactites of blood, flooding the eyes of passers-by with dripping colour, jamming their crimson reflections against the windows of cabs and tram-cars, screaming their claret and salmon into the teeth of the sleet, plopping their little round maroon lights upon the tops of umbrellas.

The row of white, sparkling shop fronts is gashed and bleeding, it bleeds red slippers. They spout under the electric light, fluid and fluctuating, a hot rain—and freeze again to red slippers, myriadly multiplied in the mirror side of the window.

They balance upon arched insteps like springing bridges of crimson lacquer; they swing up over curved heels like whirling tanagers sucked in a wind-pocket; they flatten out, heelless, like July ponds, flared and burnished by red rockets.

Snap, snap, they are cracker-sparks of scarlet in the white, monotonous block of shops.

They plunge the clangour of billions of vermilion trumpets into the crowd outside, and echo in faint rose over the pavement.

People hurry by, for these are only shoes, and in a window, farther down, is a big lotus bud of cardboard whose petals open every few minutes and reveal a wax doll, with staring bead eyes and flaxen hair, lolling awkwardly in its flower chair.

One has often seen shoes, but whoever saw a cardboard lotus bud before?

The flaws of grey, windy sleet beat on the shop-window where there are only red slippers.

II Thompson’s Lunch Room—Grand Central Station

Study in Whites

Wax-white—
Floor, ceiling, walls.
Ivory shadows
Over the pavement
Polished to cream surfaces
By constant sweeping.
The big room is coloured like the petals
Of a great magnolia,
And has a patina
Of flower bloom
Which makes it shine dimly
Under the electric lamps.
Chairs are ranged in rows
Like sepia seeds
Waiting fulfilment.
The chalk-white spot of a cook’s cap
Moves unglossily against the vaguely bright wall—
Dull chalk-white striking the retina like a blow
Through the wavering uncertainty of steam.
Vitreous-white of glasses with green reflections,
Ice-green carboys, shifting—greener, bluer—with the jar of moving water.
Jagged green-white bowls of pressed glass
Rearing snow-peaks of chipped sugar
Above the lighthouse-shaped castors
Of grey pepper and grey-white salt.
Grey-white placards: “Oyster Stew, Cornbeef Hash, Frankfurters”:
Marble slabs veined with words in meandering lines.
Dropping on the white counter like horn notes
Through a web of violins,
The flat yellow lights of oranges,
The cube-red splashes of apples,
In high plated épergnes.
The electric clock jerks every half-minute:
“Coming!—Past!”
“Three beef-steaks and a chicken-pie,”
Bawled through a slide while the clock jerks heavily.
A man carries a china mug of coffee to a distant chair.
Two rice puddings and a salmon salad
Are pushed over the counter;
The unfulfilled chairs open to receive them.
A spoon falls upon the floor with the impact of metal striking stone,
And the sound throws across the room
Sharp, invisible zigzags
Of silver.


III An Opera House

Within the gold square of the proscenium arch,
A curtain of orange velvet hangs in stiff folds,
Its tassels jarring slightly when someone crosses the stage behind.
Gold carving edges the balconies,
Rims the boxes,
Runs up and down fluted pillars.
Little knife-stabs of gold
Shine out whenever a box door is opened.
Gold clusters
Flash in soft explosions
On the blue darkness,
Suck back to a point,
And disappear.
Hoops of gold
Circle necks, wrists, fingers,
Pierce ears,
Poise on heads
And fly up above them in coloured sparkles.
Gold!
Gold!
The opera house is a treasure-box of gold.
Gold in a broad smear across the orchestra pit:
Gold of horns, trumpets, tubas;
Gold—spun-gold, twittering-gold, snapping-gold
Of harps.
The conductor raises his baton,
The brass blares out
Crass, crude,
Parvenu, fat, powerful,
Golden.
Rich as the fat, clapping hands in the boxes.
Cymbals, gigantic, coin-shaped,
Crash.
The orange curtain parts
And the prima-donna steps forward.
One note,
A drop: transparent, iridescent,
A gold bubble,
It floats . . . floats . . .
And bursts against the lips of a bank president
In the grand tier.


IV Afternoon Rain in State Street

Cross-hatchings of rain against grey walls,
Slant lines of black rain
In front of the up and down, wet stone sides of buildings.
Below,
Greasy, shiny, black, horizontal,
The street.
And over it, umbrellas,
Black polished dots
Struck to white
An instant,
Stream in two flat lines
Slipping past each other with the smoothness of oil.
Like a four-sided wedge
The Custom House Tower
Pokes at the low, flat sky,
Pushing it farther and farther up,
Lifting it away from the house-tops,
Lifting it in one piece as though it were a sheet of tin,
With the lever of its apex.
The cross-hatchings of rain cut the Tower obliquely,
Scratching lines of black wire across it,
Mutilating its perpendicular grey surface
With the sharp precision of tools.
The city is rigid with straight lines and angles,
A chequered table of blacks and greys.
Oblong blocks of flatness
Crawl by with low-geared engines,
And pass to short upright squares
Shrinking with distance.
A steamer in the basin blows its whistle,
And the sound shoots across the rain hatchings,
A narrow, level bar of steel.
Hard cubes of lemon
Superimpose themselves upon the fronts of buildings
As the windows light up.
But the lemon cubes are edged with angles
Upon which they cannot impinge.
Up, straight, down, straight—square.
Crumpled grey-white papers
Blow along the side-walks,
Contorted, horrible,
Without curves.
A horse steps in a puddle,
A white, glaring water spurts up
In stiff, outflaring lines,
Like the rattling stems of reeds.
The city is heraldic with angles,
A sombre escutcheon of argent and sable
And countercoloured bends of rain
Hung over a four-square civilization.
When a street lamp comes out,
I gaze at it for full thirty seconds
To rest my brain with the suffusing, round brilliance of its globe.


V An Aquarium

Streaks of green and yellow iridescence,
Silver shiftings,
Rings veering out of rings,
Silver—gold—
Grey-green opaqueness sliding down,
With sharp white bubbles
Shooting and dancing,
Flinging quickly outward.
Nosing the bubbles,
Swallowing them,
Fish.
Blue shadows against silver-saffron water,
The light rippling over them
In steel-bright tremors.
Outspread translucent fins
Flute, fold, and relapse;
The threaded light prints through them on the pebbles
In scarcely tarnished twinklings.
Curving of spotted spines,
Slow up-shifts,
Lazy convolutions:
Then a sudden swift straightening
And darting below:
Oblique grey shadows
Athwart a pale casement.
Roped and curled,
Green man-eating eels
Slumber in undulate rhythms,
With crests laid horizontal on their backs.
Barred fish,
Striped fish,
Uneven disks of fish,
Slip, slide, whirl, turn,
And never touch.
Metallic blue fish,
With fins wide and yellow and swaying
Like Oriental fans,
Hold the sun in their bellies
And glow with light:
Blue brilliance cut by black bars.
An oblong pane of straw-coloured shimmer,
Across it, in a tangent,
A smear of rose, black, silver.
Short twists and upstartings,
Rose-black, in a setting of bubbles:
Sunshine playing between red and black flowers
On a blue and gold lawn.
Shadows and polished surfaces,
Facets of mauve and purple,
A constant modulation of values.
Shaft-shaped,
With green bead eyes;
Thick-nosed,
Heliotrope-coloured;
Swift spots of chrysolite and coral;
In the midst of green, pearl, amethyst irradiations.

Outside,
A willow-tree flickers
With little white jerks,
And long blue waves
Rise steadily beyond the outer islands.

Here bygynneth the Book of the tales of Caunterbury Whan that Aprille with his shoures soote,
The droghte of March hath perced to the roote,
And bathed every veyne in swich licóur
Of which vertú engendred is the flour;

For Rafael Heliodoro Valle I set out from the Port of Acapulco on the twenty-third of March
And kept a steady course until Saturday, the fourth of April, when

All in green went my love riding
on a great horse of gold
into the silver dawn.

four lean hounds crouched low and smiling
the merry deer ran before.

Fleeter be they than dappled dreams
the swift sweet deer
the red rare deer.

I.
did you say
August ponds
ought to have
been surrounded
by September fences?

but did you say
September fences

Argument

The Genius of the place invites the Goddess of Botany, 1. She descends, is received by Spring, and the Elements, 59. Addresses the Nymphs of Fire. Star-light Night seen in the Camera Obscura, 81. I. Love created the Universe. Chaos explodes. All the Stars revolve. God, 97. II. Shooting Stars. Lightning. Rainbow. Colours of the Morning and Evening Skies. Exterior Atmosphere of inflammable Air. Twilight. Fire-balls. Aurora Borealis. Planets. Comets. Fixed Stars. Sun’s Orb, 115. III. 1. Fires of the Earth’s Centre. Animal Incubation, 137. 2. Volcanic Mountains. Venus visits the Cyclops, 149. IV. Heat confined on the Earth by the Air. Phosphoric lights in the Evening. Bolognian Stone. Calcined Shells. Memnon’s Harp, 173. Ignis fatuus. Luminous Flowers. Glow-worm. Fire-fly. Luminous Sea-insects. Electric Eel. Eagle armed with Lightning, 189. V. 1. Discovery of Fire. Medusa, 209. 2. The chemical Properties of Fire. Phosphorus. Lady in Love, 223. 3. Gunpowder, 237. VI. Steam-engine applied to Pumps, Bellows, Water-engines, Corn-mills, Coining, Barges, Waggons, Flying-chariots, 253. Labours of Hercules. Abyla and Calpe, 297. VII. 1. Electric Machine. Hesperian Dragon. Electric Kiss. Halo round the heads of Saints. Electric Shock. Fairy-rings, 335. 2. Death of Professor Richman, 371. 3. Franklin draws Lightning from the Clouds. Cupid snatches the Thunderbolt from Jupiter, 383. VIII. Phosphoric Acid and Vital Heat produced in the Blood. The great Egg of Night, 399. IX. Western Wind unfettered. Naiad released. Frost assailed. Whale attacked, 421. X. Buds and Flowers expanded by Warmth, Electricity, and Light. Drawings with colourless sympathetic Inks; which appear when warmed by the Fire, 457. XI. Sirius. Jupiter and Semele. Nothern Constellations. Ice-Islands navigated into the Tropic Seas. Rainy Monsoons, 497. XII. Points erected to procure Rain. Elijah on Mount Carmel, 549. Departure of the Nymphs of Fire like Sparks from artificial Fireworks, 587.

“Stay your rude steps; whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!—
For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark’d by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.

“But Thou! whose mind the well-attemper’d ray
Of Taste and Virtue lights with purer day;

Many believe in the stars.


Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.

Gone.



Odysseus to Greece:

“Hector has never fought this far from Troy.

Was she of spirit race, or was she one
Of earth's least earthly daughters, one to whom
A gift of loveliness and soul is given,
Only to make them wretched?There is an antique gem, on which her brow
Retains its graven beauty even now.
Her hair is braided, but one curl behind
Floats as enamour'd of the summer wind;
The rest is simple. Is she not too fair

Within this black hive to-night
There swarm a million bees;
Bees passing in and out the moon,
Bees escaping out the moon,
Bees returning through the moon,
Silver bees intently buzzing,
Silver honey dripping from the swarm of bees
Earth is a waxen cell of the world comb,

i
The World without Imagination

Nota: man is the intelligence of his soil,
The sovereign ghost. As such, the Socrates
Of snails, musician of pears, principium
And lex. Sed quaeritur: is this same wig
Of things, this nincompated pedagogue,

All power is saved, having no end. Rises
in the green season, in the sudden season
the white the budded
and the lost.
Water celebrates, yielding continually
sheeted and fast in its overfall
slips down the rock, evades the pillars
building its colonnades, repairs

I

The dialect of the scrub in the dry season
withers the flow of English. Things burn for days
without translation, with the heat
of the scorched pastures and their skeletal cows.
Every noun is a stump with its roots showing,
and the creole language rushes like weeds
until the entire island is overrun,

All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I'd started from;
And all I saw from where I stood
Was three long mountains and a wood.

Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.

I. ANCIENT OVERTURE OF HÉRODIADE

The Nurse

(Incantation)

Abolished, and her frightful wing in the tears
Of the basin, abolished, that mirrors forth our fears,
The naked golds lashing the crimson space,
An Aurora—heraldic plumage—has chosen to embrace

Palace in smoky light,
Troy but a heap of smouldering boundary stones,
ANAXIFORMINGES! Aurunculeia!
Hear me. Cadmus of Golden Prows!
The silver mirrors catch the bright stones and flare,
Dawn, to our waking, drifts in the green cool light;
Dew-haze blurs, in the grass, pale ankles moving.
Beat, beat, whirr, thud, in the soft turf

for Kenward Elmslie
Up from the valley

Lo I the man, whose Muse whilome did maske,
As time her taught in lowly Shepheards weeds,
Am now enforst a far unfitter taske,
For trumpets sterne to chaunge mine Oaten reeds,
And sing of Knights and Ladies gentle deeds;
Whose prayses having slept in silence long,
Me, all too meane, the sacred Muse areeds
To blazon broad emongst her learned throng:
Fierce warres and faithful loves shall moralize my song.
Helpe then, O holy Virgin chiefe of nine,
Thy weaker Novice to performe thy will,
Lay forth out of thine everlasting scryne
The antique rolles, which there lye hidden still,
Of Faerie knights and fairest Tanaquill,
Whom that most noble Briton Prince so long

Although it is a cold evening,
down by one of the fishhouses
an old man sits netting,
his net, in the gloaming almost invisible,
a dark purple-brown,
and his shuttle worn and polished.
The air smells so strong of codfish
it makes one’s nose run and one’s eyes water.