Rose

The Painted Lady is a small African
Butterfly gayly toned deep tan and peach
That seems as tremulous and delicately sheer

As the objects I treasure, yet this cosmopolitan
Can cross the sea at the icy time of the year
In the trail of the big boats, to France.

Mischance is as wide and grey as the lake here
In Chicago. Is there strength enough in my

Little snail,
Dreaming you go.
Weather and rose
Is all you know.

Weather and rose
Is all you see,
Drinking
The dewdrop’s

When he pushed his bush of black hair off his brow:
When she lifted her mop from her eyes, and screwed it
in a knob behind
—O act of fearful temerity!
When they felt their foreheads bare, naked to heaven,
their eyes revealed:
When they left the light of heaven brandished like a knife at
their defenceless eyes

I
One day as she rinsed her wash from the jetty,
the bay's cold grave rose up through her arms
and into her life.

Her tears froze into spectacles.
The island raised itself by its grass
and the herring-flag waved in the deep.



II

Our lives avoided tragedy
Simply by going on and on,
Without end and with little apparent meaning.
Oh, there were storms and small catastrophes.

Simply by going on and on
We managed. No need for the heroic.
Oh, there were storms and small catastrophes.
I don't remember all the particulars.

Who will stay behind, and what? A wind.
Blindness from the blind man disappearing.
A token of the sea: a strand of foam.
A cloud stuck in a tree.

Who will stay behind, and what? A single sound
as genesis regrasses its creation.
Like the violin rose that honors just itself.
Seven grasses of that grass do understand.

More than all the stars hence and northward,
that star will stay that sinks into a tear.
Forever in its jug, a drop of  wine remains.
What will be left here? God. Not enough for you?

Is it a weightless pistol —
your hand.

The tail of smoke
like a limitless conversation
risks blooming and death.
The head of a desert.
A blank crawls parallel to lines of combed hair.
A barometer pursued its dream

'O words are lightly spoken,'
Said Pearse to Connolly,
'Maybe a breath of politic words
Has withered our Rose Tree;
Or maybe but a wind that blows
Across the bitter sea.'

'It needs to be but watered,'
James Connolly replied,
'To make the green come out again
And spread on every side,
And shake the blossom from the bud
To be the garden's pride.'

'But where can we draw water,'

The sun rose over the sweep of the hill
All bare for the gathered hay,
And a blackbird sang by the window-sill,
And a girl knelt down to pray:
‘Whom Thou hast kept through the night, O Lord,
Keep Thou safe through the day.’

The sun rose over the shell-swept height,
The guns are over the way,
And a soldier turned from the toil of the night
To the toil of another day,
And a bullet sang by the parapet
To drive in the new-turned clay.

The sun sank slow by the sweep of the hill,

She was a city of patience; of proud name,
Dimmed by neglecting Time; of beauty and loss;
Of acquiescence in the creeping moss.
But on a sudden fierce destruction came
Tigerishly pouncing: thunderbolt and flame
Showered on her streets, to shatter them and toss
Her ancient towers to ashes. Riven across,
She rose, dead, into never-dying fame.
White against heavens of storm, a ghost, she is known
To the world's ends. The myriads of the brave
Sleep round her. Desolately glorified,
She, moon-like, draws her own far-moving tide
Of sorrow and memory; toward her, each alone,
Glide the dark dreams that seek an English grave.

Watching the dark my spirit rose in flood
On that most dearest Prelude of my delight.
The low-lying mist lifted its hood,
The October stars showed nobly in clear night.

When I return, and to real music-making,
And play that Prelude, how will it happen then?
Shall I feel as I felt, a sentry hardly waking,
With a dull sense of No Man's Land again?

The morns are meeker than they were -
The nuts are getting brown -
The berry’s cheek is plumper -
The rose is out of town.

The maple wears a gayer scarf -
The field a scarlet gown -
Lest I sh'd be old-fashioned
I’ll put a trinket on.

crashes thru air
where Lady LSD hangs up all the floors of life for the last time
Blue Grace leans on white slime
Blue Grace weaves in & out of Lüneburg and ‘My Burial Vault’ undulates
from first hour peyote turnon
Diderot hand in hand with the Marquis de Sade
wraps himself up in a mexican serapé

Because the dark suit is worn it is worn warm
with a black tie
and a kiss at the head of the stairs

When you hear the dark suit rip
on the heart’s curb the hurt is big
rose flesh caught on the orange woman’s buttons

As you talk metropole monotone
antique intelligence

I rose from marsh mud,
algae, equisetum, willows,
sweet green, noisy
birds and frogs

to see her wed in the rich
rich silence of the church,
the little white slave-girl
in her diamond fronds.

All he undertook
goes under, under
the undergrowth he rose from
fly-boy, lovely
in his day.
All his clothes
— spruce suit & tie —
are underclothes
against ungrounded gray.
All his studies understudy
an unstudied play.

Under the under
of what I remember
we are both twenty

It was as if a flower bloomed as if
Its muttering root and stem had suddenly spoken,

Uttering on the air a poem of summer,
The rose the utterance of its root and stem.

Thus her beautiful face, the crippled girl’s,
Was like the poem spoken by her body—

The richness of that face!—most generous
In what it keeps, giving in its having.

The rose reserves the sweetness that it yields,
Petal on petal, telling its own silence,

I. – THE FIRST FUNERAL

(The first corpse I saw was on the
German wires, and couldn’t be buried)

The whole field was so smelly;
We smelt the poor dog first:
His horrid swollen belly
Looked just like going burst.

His fur was most untidy;
He hadn’t any eyes.
It happened on Good Friday
And there was lots of flies.

Her house is empty and her heart is old,
And filled with shades and echoes that deceive
No one save her, for still she tries to weave
With blind bent fingers, nets that cannot hold.
Once all men’s arms rose up to her, ‘tis told,
And hovered like white birds for her caress:
A crown she could have had to bind each tress
Of hair, and her sweet arms the Witches’ Gold.

Her mirrors know her witnesses, for there
She rose in dreams from other dreams that lent
Her softness as she stood, crowned with soft hair.
And with his bound heart and his young eyes bent
And blind, he feels her presence like shed scent,
Holding him body and life within its snare.

Today the sun rose, as it used to do
When its mission was to shine on you.
Since in unrelenting dark you're gone,
What now can be the purpose of  the sun?

Invoked every sundown, it’s you, painted on clouds
rouging our treasured plain and all who walk it,
with leaf-fresh kids and women damp from traveling,
city-bound, in the radiance of a just-stopped shower;
it’s you, mother eternally young, courtesy of death’s
plucking hand, rose at the fragrant point of unpetaling,
you who are the alpha of every neurosis, every torturing anxiety,
and for this I give you gratitude for time past, time present, time future.

A day all blue and white, and we
Came out of woods to sand
And snow-capped waves. The sea
Rose with us as we walked, the land
Built dunes, a lighthouse, and a sky of gulls.

Here where I built my life ten years ago,
The day breaks gray and cold;
And brown surf, muddying the shore,

On Friday, at twilight of a summer day
While the smells of food and prayer rose from every house
And the sound of the Sabbath angels’ wings was in the air,
While still a child I started to lie to my father:
“I went to another synagogue.”

I don’t know if he believed me or not
But the taste of the lie was good and sweet on my tongue
And in all the houses that night

Death found strange beauty on that cherub brow,
And dash’d it out. – There was a tint of rose
O’er cheek and lip; – he touch’d the veins with ice,
And the rose faded. – Forth from those blue eyes
There spake a wistful tenderness, – a doubt
Whether to grieve or sleep, which Innocence
Alone can wear. – With ruthless haste he bound
The silken fringes of their curtaining lids
Forever. – There had been a murmuring sound
With which the babe would claim its mother’s ear,
Charming her even to tears. – The spoiler set
His seal of silence. – But there beam’d a smile,
So fix’d and holy from that marble brow, –
Death gazed and left it there; – he dared not steal
The signet-ring of Heaven.

Fall, leaves, fall; die, flowers, away;
Lengthen night and shorten day;
Every leaf speaks bliss to me
Fluttering from the autumn tree.
I shall smile when wreaths of snow
Blossom where the rose should grow;
I shall sing when night’s decay
Ushers in a drearier day.

from Sonnets, Second Series

XVIII

And Change, with hurried hand, has swept these scenes:
The woods have fallen; across the meadow-lot
The hunter’s trail and trap-path is forgot;
And fire has drunk the swamps of evergreens!

I placed a jar in Tennessee,
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

He lived—childhood summers
thru bare feet
then years of money’s lack
and heat

beside the river—out of flood
came his wood, dog,
woman, lost her, daughter—
prologue

The first lily of June opens its red mouth.
All over the sand road where we walk
multiflora rose climbs trees cascading
white or pink blossoms, simple, intense
the scene drifting like colored mist.

The arrowhead is spreading its creamy
clumps of flower and the blackberries
are blooming in the thickets. Season of
joy for the bee. The green will never
again be so green, so purely and lushly

new, grass lifting its wheaty seedheads
into the wind. Rich fresh wine
of June, we stagger into you smeared

Fayre is my love, when her fayre golden heares,
With the loose wynd ye waving chance to marke:
Fayre when the rose in her red cheekes appears,
Or in her eyes the fyre of love does sparke.
Fayre when her brest lyke a rich laden barke,
With pretious merchandize she forth doth lay:
Fayre when that cloud of pryde which oft doth dark
Her goodly light with smiles she drives away,

We had a city also. Hand in hand
Wandered happy as travellers our own land.
Murmured in turn the hearsay of each stone
Or, where a legend faltered, lived our own.
The far-seen obelisk my father set
(Pinning two roads forever where they met)
Waved us in wandering circles, turned our tread
Where once morass engulfed that passionate head.

We were riding through frozen fields in a wagon at dawn.
A red wing rose in the darkness.

And suddenly a hare ran across the road.
One of us pointed to it with his hand.

That was long ago. Today neither of them is alive,
Not the hare, nor the man who made the gesture.

O my love, where are they, where are they going
The flash of a hand, streak of movement, rustle of pebbles.

I

You are clear
O rose, cut in rock,
hard as the descent of hail.

I could scrape the colour
from the petals
like spilt dye from a rock.

If I could break you
I could break a tree.

If I could stir
I could break a tree—

Withouten you
No rose can grow;
No leaf be green
If never seen
Your sweetest face;
No bird have grace
Or power to sing;
Or anything

Come, O come, my life’s delight,
Let me not in languor pine!
Love loves no delay; thy sight,
The more enjoyed, the more divine:
O come, and take from me
The pain of being deprived of thee!

Thou all sweetness dost enclose,

At last I know—it’s on old ivory jars,
Glassed with old miniatures and garnered once with musk.
I’ve seen those eyes like smouldering April stars
As carp might see them behind their bubbled skies
In pale green fishponds—they’re as green your eyes,
As lakes themselves, changed to green stone at dusk.

At last I know—it’s paned in a crystal hoop
On powder-boxes from some dead Italian girl,

My Soul, there is a country
Afar beyond the stars,
Where stands a winged sentry
All skillful in the wars;
There, above noise and danger
Sweet Peace sits, crown’d with smiles,
And One born in a manger
Commands the beauteous files.

Ah what avails the sceptred race,
Ah what the form divine!
What every virtue, every grace!
Rose Aylmer, all were thine.
Rose Aylmer, whom these wakeful eyes
May weep, but never see,
A night of memories and of sighs
I consecrate to thee.

Rose, harsh rose,
marred and with stint of petals,
meagre flower, thin,
sparse of leaf,

more precious
than a wet rose
single on a stem—
you are caught in the drift.

Stunted, with small leaf,
you are flung on the sand,
you are lifted
in the crisp sand
that drives in the wind.

White coat and purple coat
a sleeve from both he sews.
That white is always stained with blood,
that purple by the rose.

And phantom rose and blood most real
compose a hybrid style;
white coat and purple coat
few men can reconcile.

What bright soft thing is this?
Sweet Mary, the fair eyes’ expense?
A moist spark it is,
A wat’ry diamond; from whence
The very term, I think, was found
The water of a diamond.

O ’tis not a tear,
’Tis a star about to drop
From thine eye its sphere;
The sun will stoop and take it up.
Proud will his sister be to wear
This thine eyes’ jewel in her ear.

O ’tis a tear

No, no; for my virginity,
When I lose that, says Rose, I’ll die:
Behind the elms, last night, cried Dick,
Rose, were you not extremely sick?

About twenty years ago
Two girls came in where I worked—
A bosomy English rose
And her friend in specs I could talk to.
Faces in those days sparked
The whole shooting-match off, and I doubt
If ever one had like hers:
But it was the friend I took out,

We aged a hundred years and this descended
In just one hour, as at a stroke.
The summer had been brief and now was ended;
The body of the ploughed plains lay in smoke.

The hushed road burst in colors then, a soaring
Lament rose, ringing silver like a bell.
And so I covered up my face, imploring
God to destroy me before battle fell.

When you come, as you soon must, to the streets of our city,
Mad-eyed from stating the obvious,
Not proclaiming our fall but begging us
In God’s name to have self-pity,

Spare us all word of the weapons, their force and range,
The long numbers that rocket the mind;
Our slow, unreckoning hearts will be left behind,
Unable to fear what is too strange.

Past the fourth cloverleaf, by dwindling roads
At last we came into the unleashed wind;
The Chesapeake rose to meet us at a dead end
Beyond the carnival wheels and gingerbread.

Forsaken by summer, the wharf. The oil-green waves
Flung yellow foam and sucked at disheveled sand.
Small fish stank in the sun, and nervous droves
Of cloud hastened their shadows over bay and land.

The jester walked in the garden:
The garden had fallen still;
He bade his soul rise upward
And stand on her window-sill.

It rose in a straight blue garment,
When owls began to call:
It had grown wise-tongued by thinking
Of a quiet and light footfall;

What is pink? a rose is pink
By a fountain's brink.
What is red? a poppy's red
In its barley bed.
What is blue? the sky is blue
Where the clouds float thro'.
What is white? a swan is white
Sailing in the light.
What is yellow? pears are yellow,
Rich and ripe and mellow.
What is green? the grass is green,
With small flowers between.
What is violet? clouds are violet
In the summer twilight.
What is orange? Why, an orange,

En mi país el Otoño nace de una flor seca,
de algunos pajaros; . . .
o del vaho penetrante de ciertos rios de la llanura.
—Molinari, “Oda a una larga tristeza” Each instant comes with a price, the blue-edged bill

A fool I was to sleep at noon,
And wake when night is chilly
Beneath the comfortless cold moon;
A fool to pluck my rose too soon,
A fool to snap my lily.

My garden-plot I have not kept;
Faded and all-forsaken,

In a coign of the cliff between lowland and highland,
At the sea-down's edge between windward and lee,
Walled round with rocks as an inland island,
The ghost of a garden fronts the sea.
A girdle of brushwood and thorn encloses
The steep square slope of the blossomless bed
Where the weeds that grew green from the graves of its roses
Now lie dead.

The fields fall southward, abrupt and broken,
To the low last edge of the long lone land.
If a step should sound or a word be spoken,
Would a ghost not rise at the strange guest's hand?
So long have the grey bare walks lain guestless,
Through branches and briars if a man make way,

Oh! pleasant exercise of hope and joy!
For mighty were the auxiliars which then stood
Upon our side, we who were strong in love!
Bliss was it in that dawn to be alive,
But to be young was very heaven!—Oh! times,
In which the meagre, stale, forbidding ways
Of custom, law, and statute, took at once
The attraction of a country in romance!
When Reason seemed the most to assert her rights,
When most intent on making of herself
A prime Enchantress—to assist the work
Which then was going forward in her name!
Not favoured spots alone, but the whole earth,
The beauty wore of promise, that which sets
(As at some moment might not be unfelt

There came gray stretches of volcanic plains,
Bare, lone and treeless, then a bleak lone hill
Like to the dolorous hill that Dobell saw.
Around were heaps of ruins piled between
The Burn o’ Sorrow and the Water o’ Care;
And from the stillness of the down-crushed walls
One pillar rose up dark against the moon.
There was a nameless Presence everywhere;

inside my head

Inside my head a common room,
a common place, a common tune,
a common wealth, a common doom

inside my head. I close my eyes.
The horses run. Vast are the skies,
and blue my passing thoughts’ surprise

inside my head. What is this space

(To John Gawsworth) The rose of all the world is not for me.
I want for my part

A Monodrama Come into the garden, Maud,
For the black bat, night, has flown,
Come into the garden, Maud,
I am here at the gate alone;

Amid the iris and the rose,
The honeysuckle and the bay,
The wild earth for a moment goes
In dust or weed another way.

Small though its corner be, the weed
Will yet intrude its creeping beard;
The harsh blade and the hairy seed
Recall the brutal earth we feared.

Music, when soft voices die,
Vibrates in the memory—
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heaped for the belovèd's bed;
And so thy thoughts, when thou art gone,

Home they brought her warrior dead:
She nor swoon'd nor utter'd cry:
All her maidens, watching, said,
"She must weep or she will die."

Then they praised him, soft and low,
Call'd him worthy to be loved,
Truest friend and noblest foe;
Yet she neither spoke nor moved.

Stole a maiden from her place,
Lightly to the warrior stepped,
Took the face-cloth from the face;
Yet she neither moved nor wept.

O Rose thou art sick.
The invisible worm,
That flies in the night
In the howling storm:

Has found out thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.

There may be pink with white or white with rose
Or there may be white with rose and pink with mauve
Or even there may be white with yellow and yellow with blue
Or even if even it is rose with white and blue
And so there is no yellow there but by accident.

Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, whereof stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.

Sweet day, so cool, so calm, so bright,
The bridal of the earth and sky;
The dew shall weep thy fall to-night,
For thou must die.

Sweet rose, whose hue angry and brave
Bids the rash gazer wipe his eye;
Thy root is ever in its grave,

Wash of cold river
in a glacial land,
Ionian water,
chill, snow-ribbed sand,
drift of rare flowers,
clear, with delicate shell-
like leaf enclosing
frozen lily-leaf,

1

One man held the huge pig down
and the other stuck an ice pick
into the jugular, which is when
we started to pay attention.
The blood rose ten feet with force
while the sow swam on its back
as if to cut its own neck.

In sober mornings do thou not rehearse
The holy incantation of a verse;
But when that men have both well drunk, and fed,
Let my enchantments then be sung, or read.
When laurel spurts i' th' fire, and when the hearth
Smiles to itself, and gilds the roof with mirth;
When up the thyrse is raised, and when the sound
Of sacred orgies flies: "A round, a round;"

Ye flowery banks o' bonie Doon,
How can ye blume sae fair?
How can ye chant, ye little birds,
And I sae fu' o' care?

Thou'll break my heart, thou bonie bird,
That sings upon the bough;
Thou minds me o' the happy days,
When my fause love was true.

Thou'll break my heart, thou bonie bird,
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o' my fate.

I have sat here happy in the gardens,
Watching the still pool and the reeds
And the dark clouds
Which the wind of the upper air
Tore like the green leafy boughs
Of the divers-hued trees of late summer;
But though I greatly delight
In these and the water-lilies,
That which sets me nighest to weeping
Is the rose and white color of the smooth flag-stones,
And the pale yellow grasses
Among them.

Han-Shan sits on a flat stone
In his garden and plays the flute,
Mimicking the birds singing among
The gourd vines or from the top
Of the blue pine tree.

Or he constructs a new trellis
For the rambling rose over his front

The stars are
Although I do not sing
About them—
The sky and the trees
Are indifferent
To whom they please
The rose is unmoved
By my nose
And the garland in your hair
Although your eyes be lakes, dies

Why sigh for a star
Better bay at the moon
Better bay at the moon . . .
Oh moon, moon, moon