Paris

There lies a vale in Ida, lovelier
Than all the valleys of Ionian hills.
The swimming vapour slopes athwart the glen,
Puts forth an arm, and creeps from pine to pine,
And loiters, slowly drawn. On either hand
The lawns and meadow-ledges midway down
Hang rich in flowers, and far below them roars
The long brook falling thro' the clov'n ravine
In cataract after cataract to the sea.
Behind the valley topmost Gargarus
Stands up and takes the morning: but in front
The gorges, opening wide apart, reveal
Troas and Ilion's column'd citadel,
The crown of Troas.

I remember when I wrote The Circus
I was living in Paris, or rather we were living in Paris
Janice, Frank was alive, the Whitney Museum
Was still on 8th Street, or was it still something else?
Fernand Léger lived in our building
Well it wasn’t really our building it was the building we lived in
Next to a Grand Guignol troupe who made a lot of noise
So that one day I yelled through a hole in the wall

Happy Birthday Kenneth Koch/Feb 27 We went to all those places where they restore sadness and joy
and call it art. We were piloted by Auden who became
Unbearably acrimonious when we dropped off Senghor into the
steamy skies of his beloved West Africa. The termites and ants

Last night I dreamed I ran through the streets of New York
Looking for help for you, Nicanor.
But my few friends who are rich or influential
were temporarily absent from their penthouses or hotel suites.
They had gone to the opera, or flown for the weekend to Bermuda.
At last I found one or two of them at home,
preparing for social engagements,
absently smiling, as they tried on gown after gown

The bridge barely curved that connects the terrible with the tender.
—Rilke 1

The children play at the Luxembourg fountain.

Teucer: . . . in sea-girt Cyprus, where it was decreed
by Apollow that I should live, giving the city
the name of Salamis in memory of my island home.
. . . . . . . . . .
Helen: I never went to Troy; it was a phantom.
. . . . . . . . . .
Servant: What? You mean it was only for a cloud
that we struggled so much?

— Euripides, Helen

I
My wife is ill!
And I sit
waiting
for a quorum


II
Fast ride
his horse collapsed

I will die in Paris with a rainstorm,
on a day I already remember,
I will die in Paris—and I don't shy away—
perhaps on a Thursday, as today is, in autumn.

It will be Thursday, because today, Thursday, as I prose
these lines, I've put on my humeri in a bad mood,
and, today like never before, I've turned back,
with all of my road, to see myself alone.

Many believe in the stars.


Take Quinamid
The son of a Dardanian astrologer
Who disregarded what his father said
And came to Troy in a taxi.

Gone.



Odysseus to Greece:

“Hector has never fought this far from Troy.

“Who is Apollo?” College student How shall a generation know its story
If it will know no other? When, among

December, and the closing of the year;
The momentary carolers complete
Their Christmas Eves, and quickly disappear
Into their houses on each lighted street.

Each car is put away in each garage;
Each husband home from work, to celebrate,
Has closed his house around him like a cage,
And wedged the tree until the tree stood straight.

At the confluence of tea roses and Russian sage
we made a right at the curved iron fence,
one of my dead friends beside me explaining how trees communicated
but I couldn’t understand a thing because it was all blurry — 
the way it gets — and though I knew him well
I couldn’t say for sure now whether it was Larry or
Phil or Galway or Charlie until I realized it was me
talking in some kind of Hebrish they spoke

These New York City Pigeons
cooing in the air shaft
are responsible for me
stubbing my toe
spraining my ankle
and getting sick on ammonia fumes

That pigeon roosting on the clothesline
stole my nightgown

To my friends Each hair is a poem I gave my son
Each hair is my allowance from the universe

My angel, don't think the great stillness is wooing us:
We just haven't slept the same among the letters that have a habit of
Recognizing us. Those beautiful letters live in Paris all year around.
For even the best of men go astray with words within the gentle depths

When they are to express something unutterable.
But I believe nevertheless that you need not be left without them as a
Part of me, as a recreation between hesitations,
The boundless ones in moments of doubts.

I need more time, a simple day in Paris hotels and window shopping.
The croissants will not bake themselves and the Tower of London would
Like to spend a night in the tropics with gray sassy paint. It has many
Wounds and historic serial dreams under contract to Hollywood.
Who will play the head of Mary, Queen of Scots, and who will braid her

Hair? Was it she who left her lips on the block for the executioner,
Whose hands would never find ablution, who would never touch a woman
Again or eat the flesh of a red animal? Blood pudding would repulse him
Until joining Anne. That is the way of history written for Marlow and
Shakespear. They are with us now that we are sober and wiser,

Not taking the horrors of poetry too seriously. Why am I telling you this
Nonsense, when I have never seen you sip your coffee or tea,
In the morning? Not to mention,

(To have been read before the statue of Lafayette and Washington in Paris, on Decoration Day, May 30, 1916)
I
Ay, it is fitting on this holiday,
Commemorative of our soldier dead,

Not fierce and tender but sweet.
This is our impression of the soldiers.
We call our machine Aunt Pauline.
Fasten it fat, that is us, we say Aunt Pauline.
When we left Paris we had rain.
Not snow now nor that in between.
We did have snow then.
Now we are bold.
We are accustomed to it.
All the weights are measures.
By this we mean we know how much oil we use for the machine.

* * *

Hurrah for America.

A worm fed on the heart of Corinth,
Babylon and Rome.
Not Paris raped tall Helen,
But this incestuous worm,
Who lured her vivid beauty
To his amorphous sleep.
England! famous as Helen
Is thy betrothal sung.

Adorable images,
Plaster of Paris
Lilies of the field,
You are not alive, therefore
Pathos will be out of place.

But I have learned
A strange fact about your fate,
And it is this:

After you go out of fashion
Beneath your many fashions,
Or when your elbows and knees
Have been bruised powdery white,
So that you are no good to anybody—