Murder

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

Good morning, electorate.
We are on good speaking terms
but do not speak, which means
we must be self-reliant,
there are many matters at hand.
We’re not close enough to know each other’s
good news, bad news, private matters.

There are silent streets off public gardens

Even as the sun with purple-colour’d face
Had ta’en his last leave of the weeping morn,
Rose-cheek’d Adonis tried him to the chase;
Hunting he lov’d, but love he laugh’d to scorn;
Sick-thoughted Venus makes amain unto him,
And like a bold-fac’d suitor ‘gins to woo him.

‘Thrice fairer than myself,’ thus she began,

Deflores. What makes your lip so strange? This must not be betwixt us.
Beatrice. The man talks wildly.
Deflores. Come kisse me with a zeal now.
Beatrice. Heaven I doubt him.
Deflores. I will not stand so long to beg 'em shortly.
Beatrice. Take heed Deflores of forgetfulness, 'twill soon betray us.
Deflores. Take you heed first;
Faith y'are grown much forgetfull, y'are to blame in't.
Beatrice. He's bold, and I am blam'd for't.
Deflores. I have eas'd you of your trouble, think on't, I'me in pain,
And must be as'd of ou; 'tis a charity,
Justice invites your blood to understand me.
Beatrice. I dare not.
Deflores. Quickly.
Beatrice. Oh I never shall, speak if yet further of that I may lose

If Heaven has into being deigned to call
Thy light, O Liberty! to shine on all;
Bright intellectual Sun! why does thy ray
To earth distribute only partial day?
Since no resisting cause from spirit flows
Thy universal presence to oppose;
No obstacles by Nature’s hand impressed,
Thy subtle and ethereal beams arrest;

When the eye

When the edgeless screen receiving
light from the edgeless universe

When the eye first

When the edgeless screen facing
outward as if hypnotized by the edgeless universe

When the eye first saw that it

Hungry for more light

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
And folk begin to tak the gate;
While we sit bousin, at the nappy,
And gettin fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o' Shanter,
As he frae Ayr ae night did canter:

A lot of water has passed under the bridge since 1963. Then, my concernwas particularly for my own people and this version was written especially for them. I am happy that it has done and is doing its job. However, I want it to be known, that I am not a proponent of the concept of cultural nationalism. I dearly love and am proud of my good, serious, sincere black people, yet at the same time, my concern is with all people of goodwill no matter the color. I make no mystique of blackness. I am a humanist. Indeed, I am auniversalist. This truth, I know. The liberation of black people in the United States is tightly linked with the liberation of black people in the far flungdiaspora. Further, and more important, the liberation of black and oppressed people all over the world, is linked with the struggles of the workers of the world of every nationality and color against the common oppressors, overlords, and exploiters of their labor.
Thus it was only natural that I should write "What Shall We Tell Our Children?" in 1973. I have tried to tell them the facts of life and the truth as I see it:
I hope I have succeeded.
What shall we tell our children who are black?
What shall we tell our children who are white?
What shall we tell children of every race and hue?
For all children are the children of all of us

1

I always wonder
what they think the niggers are doing
while they, the pink and alabaster pragmatists,
are containing
Russia
and defining and re-defining and re-aligning
China,

Of Chesterton, In the County of Huntingdon, Esquire How blessed is he, who leads a Country Life,
Unvex’d with anxious Cares, and void of Strife!
Who studying Peace, and shunning Civil Rage,
Enjoy’d his Youth, and now enjoys his Age:

After you finish your work
after you do your day
after you've read your reading
after you've written your say –
you go down the street to the hot dog stand,
one block down and across the way.
On a blistering afternoon in East Harlem in the twentieth
century.

(from Macbeth, spoken by Macbeth) Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain?

(from Richard II, spoken by King Richard) No matter where; of comfort no man speak:
Let’s talk of graves, of worms, and epitaphs;
Make dust our paper and with rainy eyes
Write sorrow on the bosom of the earth,
Let’s choose executors and talk of wills:
And yet not so, for what can we bequeath
Save our deposed bodies to the ground?

crashes thru air
where Lady LSD hangs up all the floors of life for the last time
Blue Grace leans on white slime
Blue Grace weaves in & out of Lüneburg and ‘My Burial Vault’ undulates
from first hour peyote turnon
Diderot hand in hand with the Marquis de Sade
wraps himself up in a mexican serapé

I
His holy
slowly
mulled over
matter

not all “delirium
of delight”

The cities dissolve, and the earth is a cart loaded with dust
Only poetry knows how to pair itself to this space.

No road to this house, a siege,
and his house is graveyard.

Bury your heart in some deep green hollow
Or hide it up in a kind old tree;
Better still, give it the swallow
When she goes over the sea.

In Saturday’s Market there’s eggs a ’plenty
And dead-alive ducks with their legs tied down,
Grey old gaffers and boys of twenty—
Girls and the women of the town—

In this poem there is no suffering.
It spans hundreds of years and records
no deaths, connecting when it can,
those moments where people are healthy

Lots of contemporaries—
but “me” is not my contemporary.

My birth without “me”
was a blemished offering on the collection plate.
A moment of flesh, imprisoned in flesh.

And when to the tip of this tongue of flesh
some word comes, it kills itself.
If saved from killing itself,

Eating is touch carried to the bitter end.
Samuel Butler II  I’m going to murder you with love;
I’m going to suffocate you with embraces;