Memory

Memory is an old Mexican woman
sweeping her yard with a broom.
She has grown even smaller now,
residing at that vanishing point
decades after one dies,
but at some times, given
the right conditions—
an ordinary dream, or practically

Twelve o'clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations,
Its divisions and precisions,
Every street lamp that I pass

For Naomi Ginsberg, 1894—1956 I
Strange now to think of you, gone without corsets & eyes, while I walk on the sunny pavement of Greenwich Village.

1.

Far from the sea far from the sea
of Breton fishermen
the white clouds scudding
over Lowell
and the white birches the
bare white birches
along the blear night roads

1

The angel —
three years we waited for him, attention riveted,
closely scanning
the pines the shore the stars.
One with the blade of the plough or the ship’s keel
we were searching to find once more the first seed
so that the age-old drama could begin again.

It's snowing this afternoon and there are no flowers.
There is only this sound of falling, quiet and remote,
Like the memory of scales descending the white keys
Of a childhood piano—outside the window, palms!
And the heavy head of the cereus, inclining,
Soon to let down its white or yellow-white.

Now, only these poor snow-flowers in a heap,
Like the memory of a white dress cast down . . .

I

From a blue keg, the barrel's thumb-tuned goatskin,
the choirs of ancestral ululation
are psalms and pivot for the prodigal
in a dirt yard at Piaille, are confrontation,
old incantation and fresh sacrifice
where a ram is tethered, without the scrolled horns,
wool locks and beard of the scapegoat,

—Was it for this
That one, the fairest of all Rivers, lov'd
To blend his murmurs with my Nurse's song,
And from his alder shades and rocky falls,
And from his fords and shallows, sent a voice
That flow'd along my dreams? For this, didst Thou,
O Derwent! travelling over the green Plains
Near my 'sweet Birthplace', didst thou, beauteous Stream

Frame within frame, the evolving conversation
is dancelike, as though two could play
at improvising snowflakes’
six-feather-vaned evanescence,
no two ever alike. All process
and no arrival: the happier we are,
the less there is for memory to take hold of,
or—memory being so largely a predilection

Oft, in the stilly night,
Ere slumber’s chain has bound me,
Fond memory brings the light
Of other days around me;
The smiles, the tears,
Of boyhood’s years,
The words of love then spoken;
The eyes that shone,

In pious times, ere priest-craft did begin,
Before polygamy was made a sin;
When man, on many, multipli'd his kind,
Ere one to one was cursedly confin'd:
When Nature prompted, and no Law deni'd
Promiscuous use of concubine and bride;
Then, Israel's monarch, after Heaven's own heart,
His vigorous warmth did variously impart

I
I weep for Adonais—he is dead!
Oh, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: "With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!"

II
Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierc'd by the shaft which flies
In darkness? where was lorn Urania

What thing unto mine ear
Wouldst thou convey,—what secret thing,
O wandering water ever whispering?
Surely thy speech shall be of her.
Thou water, O thou whispering wanderer,
What message dost thou bring?

Say, hath not Love leaned low

I
I heard a small sad sound,
And stood awhile among the tombs around:
"Wherefore, old friends," said I, "are you distrest,
Now, screened from life's unrest?"

II
—"O not at being here;

(In Memory of Jane Davison) 1. Pleas

Please help us keep your memory alive.

There were still shards of an ancient pastoral
in those shires of the island where the cattle drank
their pools of shadow from an older sky,
surviving from when the landscape copied such subjects as
“Herefords at Sunset in the Valley of the Wye.”
The mountain water that fell white from the mill wheel
sprinkling like petals from the star-apple trees,
and all of the windmills and sugar mills moved by mules

I

What shall I do with this absurdity —
O heart, O troubled heart — this caricature,
Decrepit age that has been tied to me
As to a dog's tail?
Never had I more
Excited, passionate, fantastical
Imagination, nor an ear and eye

(sign at a railroad crossing in Kenya) In a poem, one line may hide another line,
As at a crossing, one train may hide another train.

The cities dissolve, and the earth is a cart loaded with dust
Only poetry knows how to pair itself to this space.

No road to this house, a siege,
and his house is graveyard.

1.

How account
for dimming
of the lights

baggage
of old age
tagged and waiting?

or light tricks
in snow
at sun-up?

waiting in line